The so-called Frankenberger Manuscript is one of the most precious items in the collection of the Netherlands Music Institute. It contains 196 organ chorale settings from the period 1650-1730, compiled and copied by the composer and organist Johann Gottfried Walther (1684-1748). Less then half of the volume (75 out of.

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Johann Christoph Oley (1738 – 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the church of St Stephan in neighbouring Aschersleben in January 1762 because of its superior organ. At least 77 works for organ solo by his.

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Johann Gottfried Vierling (1750 – 1813) was a German organist and composer. Vierling was born in Metzels. From 1763 he studied at the Lyzeum in Schmalkalden. In 1768 he succeeded his teacher Johann Nikolaus Tischer (1707–74) as organist in Schmalkalden. He later continued his musical studies with Carl Philipp Emanuel Bach.

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This chorale prelude was transcribed from manuscript Mus. ms. 22541 III owned by the Staatsbibliothek zu Berlin. A somewhat unusual prelude on this famous melody. Telemann is not afraid to use harsh dissonants (e flat against e). Even though they appear only in passing on unaccented parts of the bar,.

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This chorale prelude was transcribed from manuscript Mus. ms. 22541 III owned by the Staatsbibliothek zu Berlin. Kauffmann prescribes a Gemshorn 8' and a Flöte for this prelude. Since no Gemshorn is available on the sample set of the organ in Steinkirchen I use the Rorhflöt of the Hauptwerk and.

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This chorale prelude is also known as "Ricercar pro Festis Pentecostalibus". The manuscript I based this edition on (Mus.ms. 30196 owned by the Staatsbibliothek zu Berlin) seems to contain some errors (missing voices or just scarcely indicated, some wrong voice leading or erroneous harmonies). I have no printed edition to.

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"Nun bitten wir den heiligen Geist, BuxWV 208" is a quite prayer. I made two recordings. I choose the sample set of the Van Dam organ (1832) in the Church of Our Lady in Tholen by Voxus Organs because of its spatious atmoshere. Together with the tremulant it makes.

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Two chorale preludes of Delphin Strungk were copied by Johann Gottfried Walther and can be found in manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. This is one of them. I made two versions. In one the left hand is notated with the alto-clef. In the other the.

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Delphin Strungk (or Strunck) (1600 or 1601 – 1694) was a German composer and organist. Nothing is known about Strungk's early years. The first that is known of him is in 1631, when he became organist of the Marienkirche in Wolfenbüttel. In 1634 he became courtorganist in Celle and subsequently, in.

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The chorale prelude Komm heiliger Geist, Herre Gott BuxWV 200 was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. It is the more intimate of the two preludes from Buxtehude on this chorale. I made two versions. In one the left hand is notated with the.

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The chorale prelude Komm heiliger Geist, Herre Gott was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. I made two versions. In one the left hand is notated with the alto-clef. In the other the left hand is notated using the 'modern' treble and bass key..

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The chorale prelude on "Gelobet seist du, Jesu Christ" is found in the same edition by J.C. Kühnau as the prelude on "Vom Himmel hoch da kom' ich her". The recording was done on the sample set of the Van Dam organ (1832) from Tholen by Voxus Organs for.

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Several works for organ of Kirnberger's hand survive in print and manuscript. The chorale prelude "Allein Gott in der Höh si Ehr" one of them. It is a simple but effective bicinium. The recording was done on the sample set of the Van Dam organ (1832) from Tholen by Voxus.

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The chorale prelude Komm Gott Schöpfer, heiliger Geist was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum. Score Zachow, Komm Gott Schöpfer, heiliger.

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The second chorale prelude by Zachow on "Komm heiliger Geist, Herre Gott", transcribed from manuscript Mus.ms. 22541 III owned by the Staatsbibliothek zu Berlin. The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. Score Zachow, Komm heiliger Geist, Herre.

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