The chorale prelude on "Ach bleib mit deiner Gnad" by Kehl looks a bit daunting at first. But the 64th notes are more like written out trills or turns, than that they should be played exactly like they're written. At least, I hope so.... The recording was done on the.

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The catalog of works by Bach (the Bach Werke Verzeichnis) has four appendices, Anhang I, Anhang II, Anhang III and Anhang N. The first lists the works that are known to have existed, but are either lost or survived only fragmentary. The second lists the works of which Bach's authorship.

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Simon Lohet, Decima tertia Fuga

Date: March 29,  2016

The thirteenth fugue by Lohet is more dance like than the preceeding fugue with its long lines. I think it is better suited to use the pedal with this fugue, but I made a manualiter version as well. The recording was done on the sample set of the Silbermann organ of.

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A few days ago I posted the first work I transcribed from "The Wöchentliche Nachrichten und Anmerkungen die Musik betreffend" and which I surmise is written by Johann Adam Hiller. Today follows the second. It is a three part (trio) setting of the chorale "Freu dich sehr, o meine.

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The title says it all. Happy Easter. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Kehl, Heut triumphiret Gottes.

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Kirnberger must have really loved the melody "Wer nur den lieben Gott lässt walten", as there are at least four pieces by his hand based on this melody. The other three are here, here and here. This version was first published in the 1790 edition of Johann.

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This chorale prelude is also known as "Ricercar pro Tempore Quadragesimae". Most of the music of Fischer is lost nowadays. Luckily a small collection survives in manuscript Mus. Ms. 30196, owned by the Staatsbibliothek Berlin. Carl Philipp Emanuel Bach wrote that his father (Johann Sebastian Bach) considered Fischer as one.

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When searching the internet for sources for music by Kehl, I came across "The Wöchentliche Nachrichten und Anmerkungen die Musik betreffend". This journal appeared weekly in Leipzig from 1 July 1766 to 24 December 1770. Most of the eight page issues contained one or two main articles, usually published.

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Kehl's prelude on "Nun sich der Tag geendet hat" is a simple yet beautiful piece. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Kehl, Nun sich der Tag geendet.

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Henry Heron, Cornet Voluntary

Date: March 21,  2016

Henry Heron (~1725 - 1795?) was an English organist and composer. Not much is known about his life. Year of birth and year of death are unknown. But since he was appointed as organist of the church of St Magnus around 1745, a birth date somewhere around 1725 seems reasonable..

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Édouard Batiste, Élévation

Date: March 20,  2016

Édouard Batiste (1820 - 1876) was a French composer and organist. He was born in Paris and showed a rare musical talent at a very early age. When he was only 8 years old he entered the Conservatoire and Royl Chapel. Having won prices for solfege at age 12, he.

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The prelude on "Schücke dich o liebe Seele" is a three part rendering of the chorale melody. It is probably meant to be played with just the hands, so no pedaliter version this time. The recording was done by Andreas Osiander, who also made a video with more background about piece.

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Oscar van Durme, Prière

Date: March 19,  2016

Oscar Van Durme (1876 - 1925) was a Belgian composer and organist. He was born in Exaarde. He studied organ in Sint-Niklaas and later at the Lemmens Institute in Leuven. Besides beging an organist he started composing as well. He composed mainly religious work, masses, cantatas and works for organ..

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Simon Lohet, Duodecima Fuga

Date: March 19,  2016

The twelfth fugue by Lohet is a slow flowing piece. It's very reminisence of a Kyrie by da Palestrina: long lines intertwine gracefully with each other, in slowly changing harmonies. The recording was done with the demo of the sampleset, made by Sonus Paradisi, of the renaissance instrument of the.

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The chorale prelude on "Lobe den Herren den mächtigen König" by Kirnberger is contained in at least two manuscripts, both owned by the Staatsbibliothek Berlin: Am B 396 and Mus.ms. 11633/25. The versions in both manuscripts differ from each other. The general outline is the same, but lots of little.

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