Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains two preludes from Oley on "Auf auf mein Herz, mit Freude". They're both relatively small pieces. This is the second of the two, with, somewhat uncharacteristic for the genre, an Alberti bass in the left hand. The recording was done the.

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Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains two preludes from Oley on "Auf auf mein Herz, mit Freude". They're both relatively small pieces. This is the first of the two, 'in Canone alla Quinta'. The recording was done the sampleset, made by Sonus Paradis, of the Read More

The fourth chorale prelude by Buttstett in the Frankenberger Manuscript on "Allein Gott in der Höh sei Ehr" is for manuals only. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum. Score Buttstett, Allein Gott in der Höh sei.

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Oley's choral prelude on "Freu dich sehr o meine Seele" is the third chorale prelude from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Freu dich seht, O meine.

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The third chorale prelude by Buttstett in the Frankenberger Manuscript on "Allein Gott in der Höh sei Ehr" is my favorite of the four. It is probably meant for manuals only, but I made a version with the lower voice as pedal part as well. The recording was done.

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Oley's choral prelude on "Herzliebster Jesu, was hast du verbrochen?" was transcribed from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Herzliebster Jesu, was hast du.

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The second chorale prelude by Buttstett in the Frankenberger Manuscript on 'Allein Gott in der Höh sei Ehr' starts almost identical as the one I posted yesterday. The first five bars of the left hand have become the.

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Oley's choral prelude on "Mach's mit mir, nach deiner Güte" was transcribed from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Machs mit mir, Gott, nach deiner.

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The so-called Frankenberger Manuscript is one of the most precious items in the collection of the Netherlands Music Institute. It contains 196 organ chorale settings from the period 1650-1730, compiled and copied by the composer and organist Johann Gottfried Walther (1684-1748). Less then half of the volume (75 out of.

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Johann Christoph Oley (1738 – 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the church of St Stephan in neighbouring Aschersleben in January 1762 because of its superior organ. At least 77 works for organ solo by his.

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Johann Gottfried Vierling (1750 – 1813) was a German organist and composer. Vierling was born in Metzels. From 1763 he studied at the Lyzeum in Schmalkalden. In 1768 he succeeded his teacher Johann Nikolaus Tischer (1707–74) as organist in Schmalkalden. He later continued his musical studies with Carl Philipp Emanuel Bach.

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This chorale prelude was transcribed from manuscript Mus. ms. 22541 III owned by the Staatsbibliothek zu Berlin. A somewhat unusual prelude on this famous melody. Telemann is not afraid to use harsh dissonants (e flat against e). Even though they appear only in passing on unaccented parts of the bar,.

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This chorale prelude was transcribed from manuscript Mus. ms. 22541 III owned by the Staatsbibliothek zu Berlin. Kauffmann prescribes a Gemshorn 8' and a Flöte for this prelude. Since no Gemshorn is available on the sample set of the organ in Steinkirchen I use the Rorhflöt of the Hauptwerk and.

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This chorale prelude is also known as "Ricercar pro Festis Pentecostalibus". The manuscript I based this edition on (Mus.ms. 30196 owned by the Staatsbibliothek zu Berlin) seems to contain some errors (missing voices or just scarcely indicated, some wrong voice leading or erroneous harmonies). I have no printed edition to.

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"Nun bitten wir den heiligen Geist, BuxWV 208" is a quite prayer. I made two recordings. I choose the sample set of the Van Dam organ (1832) in the Church of Our Lady in Tholen by Voxus Organs because of its spatious atmoshere. Together with the tremulant it makes.

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