Georg Andreas Sorge (1703 - 1778) wrote eleven Trios for organ. Or perhaps he wrote more, but eleven of them survived in manuscript form till today. That is to say: one of them is incomplete. Trio IX breaks of in the second half of the Trio. In bar 16 the.

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This prelude is somewhat different from the other preludes from manuscript Ms Lynar B3 I published until now. It's form does not consist of three seperate sections and there is no imitatory section. This one has a virtuosic solo voice, that is accompanied by the other voices in mostly longer.

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Ernest Grosjean, Elévation

Date: May 15,  2019

Ernest Grosjean (1844 - 1936) published "Pièces pour orgue ou harmonium", a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The fourth piece in the section called "Pièces Funèbres", pieces intended to be.

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For an introduction to the Lynar B3 manuscript, see here. Though the name of the composer of most of the preludia is not known, they all follow more or less the same pattern. An introduction sets the mood and the tone (key), then follows a fugal section, after which.

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The Lynar manuscripts were preserved in the holdings of the Duke of Lynar in Lübbenau, and are therefore also known as the Lübbenauer Orgeltabulaturen. Two of them, large codices in staff notation, bear the designation Lynar A1 and A2. The eleven disparate fascicles in German organ tablature bear the designation.

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Ernest Grosjean, Offertoire bref

Date: May 05,  2019

Ernest Grosjean (1844 - 1936) published "Pièces pour orgue ou harmonium", a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the use of pedals. The third piece in the section called "Pièces Funèbres", pieces intended to be.

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The ninth piece in manuscript Ms Lynar B3 is an anonymous Fantasia, written in the sixth tone. Though it is anonymous in this manuscript, in the organ book of Matthias Rottenau (held in the Staatsbilbiothek Berlin under signature Mus. Ms. 40615) it is designated to Christian Erbach. It is undoubtedly.

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The same manuscript that contains Christian Reichardt's prelude to "Vater unser im Himmelreich" contains three more preludes that were probably written by Reichardt. The last of these three, is a three part prelude to "Es ist das Heil uns kommen her". A well written piece, though not really special..

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"Wär Gott nicht mit uns dieser Zeit" is a Lutheran hymn. Martin Luther based the words for this hymn on psalm 124 and evoces in this hymn vividly that men's life depends on God's help and is lost without it. Buxtehude creates a beautiful, slow moving pieces on the melody.

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The last piece in the Leipziger manuscript with signature Becker II.2.51 is a prelude with a fugue. It has no named composer in the manuscript. However, based on the style of the piece I think it is save to presume Georg Wilhelm Saxer is the composer of this piece. The.

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For an introduction to the Lynar B3 manuscript, see here. The prelude has again no indication of a composer in the manuscript. Short as it is, it is a well written work, perhaps a very early work from Scheidemann, or one of the other Sweelinck students. The recording was.

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Johann Gottfried Neumeister (1757 - 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn't for the collection of chorale preludes he compiled in the years shortly after 1790. This collection, called the `Neumeister Collection' or the `Neumeister Sammlung', is a compilation of 82.

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Georg Wilhelm Saxer, Fuge, C Dur

Date: April 09,  2019

The second fugue in the Leipziger manuscript with signature Becker II.2.51 without a named composer, that is nevertheless probably composed by Saxer, is a fugue in C major. It consists of three expositions. In ieach of these expositions the fugue theme is played 6 times in a row. The three.

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As manuscript Ms. Lynar B3 is believed to be compiled in the circle of students of Jan Pieterszoon Sweelinck, it is to be expected that some works of the master himself are contained in the manuscript as well. Sweelinck's Fantasia C2 is one of them. It is one of the.

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The same manuscript that contains Christian Reichardt's prelude to "Vater unser im Himmelreich" contains three more preludes that were probably written by Reichardt. One of these is a fugetta on the first phgrase of the melody of "Allein zu dir Herr Jesu Christ". It is a three part fugue.

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