Kauffmann's prelude to "Herzlich lieb hab ich dich, O Herr" is a trio with the choral melody in the pedals. As always when Kauffmann uses a ternary rhythm the result is an outstanding piece. And as more often with Kauffmann, the choral melody is played twice The recording was done on.

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Wilhelm Karges, F.S., Fuga

Date: March 19,  2018

Manuscript Am B 340 contains two fugues, that have the initials "F.S" written beneath the title. Presumably those are the initials of the original composer of this fugue. Alas, I have no idea who these initials belong to. The fugue itself is beautifully crafted. The exposition is very short, as.

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The source for this publication is a handwritten copy by August Wilhelm Bach of 6 preludes and fugues composed by Ernst Friedrich Richter. Though only one of the others has an opus number, this prelude and fugue was published in 1862 the "Jubel-Album für die Orgel" (as was pointed.

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The choral "O Herr Gott, Vater in Ewigkeit" is a choral meant for Trinity Sunday. Bach writes a piece in three parts, to emphasize the Trinitarian nature of God. The first part is titles "O Herr Gott, Vater in Ewigkeit", the second one "Christ" and the third "O Gott heiliger.

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The original source of this piece in manuscript Am B 340 is a manualiter Toccata in D Dorian by Johann Pieterszoon Sweelinck. This Toccata is actually the source for two different pieces. The first piece was published a week ago. This second pieces is based on two different.

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Kauffmann's second prelude to " O Gott, du frommer Gott" is a relativly simple bicinium. Kauffmann does not give a registration prescription with this piece. In other pieces of this kind he usually prescribes a 8' reed together with a 16' reed, so that's what I used with this piece.

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Manuscript Mus Ms 30195 contains three preludes by Johann Peter Kellner, two of which are followed by a fugue. As far as I could find these three have not been published before. They are typical works by Kellner in that the quality is not very consistent. The first has a.

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The original source of this piece in manuscript Am B 340 is a manualiter Toccata in D Dorian by Johann Pieterszoon Sweelinck. This Toccata is actually the source for two different pieces. The first piece that is based on this Toccata uses the first 14 bars of this Toccata.

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Bach's prelude to "Jesus Christus, unser Heiland, der den Tod überwand" is in style and atmosphere very reminescent to anonymus preludes from Mus Ms 30439. It starts as a solemn fugue on the first phrase of the choral melody. After one page of music the choral melody enters in.

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In the original publication Kauffmann's prelude to "O Gott, du frommer Gott" is notated on three staves. The choral melody is notated on the upper staves, and the other two voices on the other two staves. This could indicate the lower voice is to be played with the pedals. However,.

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Johann Peter Kellner, Präludium, C Dur

Date: February 16,  2018

Manuscript Mus Ms 30195 contains three preludes by Johann Peter Kellner, two of which are followed by a fugue. As far as I could find these three have not been published before. They are typical works by Kellner in that the quality is not very consistent. The first has a.

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The original source of this piece in manuscript Am B 340 is a manualiter Toccata by Heinrich Scheidemann. The practical source is a manuscript in which Scheidemann's piece was reworked into a pedaliter piece, significantly shorter (186 versus 115 bars) and with a lot of material not present in Scheidemann's.

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Sorge's choral prelude to "Herr Jesu Christ, mein Lebenslicht" is again a charming piece. The introduction has two voices on the accompanying manual. After the choral melody enters, the accompiment reverts to one voice. The texture of the piece is therefore tio-like throughout. With very little means Sorge creates a.

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Manuscript Mus Ms 30195 contains three preludes by Johann Peter Kellner, two of which are followed by a fugue. As far as I could find these three have not been published before. They are typical works by Kellner in that the quality is not very consistent. The first has a.

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Kauffmann's prelude to "Schmücke dich, o liebe Seele" has the choral melody in the upper voice. The other two voices are never far apart and can be played with one hand. It is therefore possible to play the choral melody with the right hand and play the accompaniment with the.

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