Kaufmann wrote three choral preludes to “Vater unser im Himmelreich”. The second is a bicinium, with the choral melody in the soprano voice. The accompaniment in the left hand part is also based on...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
Sorge’s second chorale prelude to “Komm heiliger Geist, Herre Gott” from manuscript Mus Ms 30376 (Staatsbibliothek Berlin) shows him from another side. No trio like texture, but an imitatory introduction based on the first...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
Manuscript Mus Ms 30376 (Staatsbibliothek Berlin) contains 4 chorale prelude that were certainly written by Sorge and 2 that were probably/possibly written by Sorge. Combined with the Sorge preludes from the Neumeister Sammlung, and...
Ernest Grosjean (1844 – 1936) was born in Vagney (Vosges). After studying piano, organ, harmony, music composition and fugue he became organist in the cathedral of Uzès (Gard) in 1864. Four years later he...
Kittel’s sixth and last fugue is the most ambitious of the six. It has all the usual trickery of a fugue: inversion, dimunition, augmentation, and stretto. The only thing missing is the backwards motion...
The original source of this piece in manuscript Am B 340 is a Fantasia in D Dorian by Johann Pieterszoon Sweelinck. The original fantasia is some 12 minutes long. Karges boils it down to...
Kittel’s fifth fugue is a three voice fugue with a chromatic theme. The the appears some 13 times in just 48 bars, two times in a row in one voice and once in stretto....
Kaufmann wrote three choral preludes to “Vater unser im Himmelreich”. The first is a powerfull 4-voice fugue on the first phrase of the chorale melody. Kauffmann shows he knew his counterpoint. The theme enters...
Not a suitable chorale to celebrate the day, just a playful, merry fugue. Two voice fugues are perhaps the most difficult to write, and the most difficult to play. Every little detail in the...
Bach’s authorship of the this choral prelude to “Da Jesus an dem Kreuze stund” is doubted. It doesn’t even appear in the annex (Anhang) to the BWV-catalogue of Bach’s works. It does however appear...
In the years around 1770 a little tradition developed in Berlin to compose and publish small collections of manual fugues, that could either be played on the organ or on the harpsichord. Examples of...
Update, 27 december 2018: This fugue turns out to have been composed by Johann Jacob Froberger. The letters “F.S.” are either an misattribution, they stand for something like “Froberger Scripsit” (Froberger has written), or...
In the years around 1770 a little tradition developed in Berlin to compose and publish small collections of manual fugues, that could either be played on the organ or on the harpsichord. Examples of...
