The third prelude by Kauffmann on "Nun kom der heiden Heiland" in Manuscript Mus.ms. 22541 II (owned by the Staatsbibliothek zu Berlin - PK). It is a four part fugue, based on the first line of the chorale melody, notated on just two staves in the manuscript. But since the.

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This chorale prelude on "Was mein Gott will, das g'scheh allzeit" has the choral melody in the pedal part. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Wass mein Gott will dass gescheh allzeit non.

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Mohrheim's fourth Trio in A dur is the most elongated of his 'free' Trio's. The remaining three are based on chorale melodies. The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. Score Mohrheim, Trio 4 A.

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Manuscript Mus.ms. 22541 II (owned by the Staatsbibliothek zu Berlin - PK) contains four preludes by Kauffmann on "Nun kom der heiden Heiland". They could be played all four one after another as a kind of chorale partita. A few days ago I posted Read More

Johann Christoph Oley, Wir Christenleut

Date: September 21,  2015

Oley's choral prelude on "Wir Christenleut" is a nice piece in itself. But it seems to me more melancholy than the text of the choral would suggest. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Wir.

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Mohrheim's third Trio in g moll is probably the best known of his 7 Trio's. It is set up as a three voice fugue. The trickiest point in the score is a long trill in the pedal. I managed the trill, but lost the tempo a bit... ;-( The recording was.

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Oley's choral prelude on "Wie soll ich dich empfangen?" starts promising, but is over before you know it. It's still a nice piece, but I think Oley could have done more with the basic material. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in.

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Manuscript Mus.ms. 22541 II (owned by the Staatsbibliothek zu Berlin - PK) contains 73 preludes based on chorales suitable for the Christmas period. I won't publish all 73 of them, but some 30 or 40. Nevertheless, that's still a lot of pieces, so I better start now, in an attempt.

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Johann Christoph Oley, Jesu meine Zuversicht

Date: September 15,  2015

Oley's choral prelude on "Jesu meine Zuversicht" is a lively piece, in line with the meaning of the text. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Oley, Jesu meine.

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Mohrheim wrote 7 Trio's for organ. The first was published a few weeks ago. This is the second Trio. The rest will follow in the coming weeks. The recording was done the sampleset, made by Sonus Paradis, of the Transept.

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"Ich singe dir mit Herz und Mund" is the 12th choralprelude by Oley, published on this site and transcribed from Mus.ms 30190. The manuscript contains 12 more choral preludes by Oley, so I'm now halfway done. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ.

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Johann Georg Schübler, Trio für Orgel

Date: September 09,  2015

A few months ago I posted a fugue by Johann Georg Schübler. The only other piece by his hand that I know of, is the Trio presented here today. It is a charming piece to listen.

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This choral prelude is based on the same melody that Bach uses for his partita BWV 767. It is a slow flowing embellishment of the choral melody. Near the end I added some coloratura in my performance. The piece is a bit repetitive in my opinion otherwise. The recording was done.

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Two verses of the chorale "Allein Gott in der Höh sei Ehr" by Vetter survive in the Frankenberger Manuscript. I posted the first one a few weeks ago. The second one follows today. One could argue that these.

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Friedrich Christian Samuel Mohrheim (1719 - 1780) was a German musician. He attended the Thomasschule in Leipzig from 1733 to 1736, and, like other J.S. Bach's pupils, acted as copyist for him during this period. His handwriting is recognizable in copies of for example the Mattheus Passion. In 1764 he.

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