This chorale prelude was transcribed from manuscript Mus. ms. 22541 III owned by the Staatsbibliothek zu Berlin. Kauffmann prescribes a Gemshorn 8' and a Flöte for this prelude. Since no Gemshorn is available on the sample set of the organ in Steinkirchen I use the Rorhflöt of the Hauptwerk and.

This chorale prelude is also known as "Ricercar pro Festis Pentecostalibus". The manuscript I based this edition on (Mus.ms. 30196 owned by the Staatsbibliothek zu Berlin) seems to contain some errors (missing voices or just scarcely indicated, some wrong voice leading or erroneous harmonies). I have no printed edition to.

"Nun bitten wir den heiligen Geist, BuxWV 208" is a quite prayer. I made two recordings. I choose the sample set of the Van Dam organ (1832) in the Church of Our Lady in Tholen by Voxus Organs because of its spatious atmoshere. Together with the tremulant it makes.

Two chorale preludes of Delphin Strungk were copied by Johann Gottfried Walther and can be found in manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. This is one of them. I made two versions. In one the left hand is notated with the alto-clef. In the other the.

Delphin Strungk (or Strunck) (1600 or 1601 – 1694) was a German composer and organist. Nothing is known about Strungk's early years. The first that is known of him is in 1631, when he became organist of the Marienkirche in Wolfenbüttel. In 1634 he became courtorganist in Celle and subsequently, in.

The chorale prelude Komm heiliger Geist, Herre Gott BuxWV 200 was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. It is the more intimate of the two preludes from Buxtehude on this chorale. I made two versions. In one the left hand is notated with the.

The chorale prelude Komm heiliger Geist, Herre Gott was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. I made two versions. In one the left hand is notated with the alto-clef. In the other the left hand is notated using the 'modern' treble and bass key..

The chorale prelude on "Gelobet seist du, Jesu Christ" is found in the same edition by J.C. Kühnau as the prelude on "Vom Himmel hoch da kom' ich her". The recording was done on the sample set of the Van Dam organ (1832) from Tholen by Voxus Organs for.

Several works for organ of Kirnberger's hand survive in print and manuscript. The chorale prelude "Allein Gott in der Höh si Ehr" one of them. It is a simple but effective bicinium. The recording was done on the sample set of the Van Dam organ (1832) from Tholen by Voxus.

The chorale prelude Komm Gott Schöpfer, heiliger Geist was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum. Score Zachow, Komm Gott Schöpfer, heiliger.

The second chorale prelude by Zachow on "Komm heiliger Geist, Herre Gott", transcribed from manuscript Mus.ms. 22541 III owned by the Staatsbibliothek zu Berlin. The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. Score Zachow, Komm heiliger Geist, Herre.

Friedrich Wilhelm Zachow (1663 - 1712) was born in Leipzig. He probably received his first musical training from his father, the piper Heinrich Zachow, one of Leipzig's town musicians in the Alta capella. In 1676 the family moved to Eilenburg. Here Zachow probably studied with town organist Johann Hildebrand..

Transcribed from manuscript Mus.ms. 22541 III owned by the Staatsbibliothek zu Berlin The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. For this recording I used not the original tuning of the organ, but Quarter Meantone. Score Kauffmann, Wir glauben.

Johann Philipp Kirnberger (1721 – 1783) was a musician, composer and music theorist. Possibly, though not verified, he was a pupil of Johann Sebastian Bach, visiting Leipzig in 1741. From 1741 to 1751, Johann Philipp Kirnberger lived in Poland and worked for various noblemen of that country. He returned to.

A very nice transcription of this Siciliano, made by Arno Rog. He kindly gave permission to make his transcription available on this website. The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. Score Bach, Siciliano MP3: