The prelude by Beorg Böhm on “Gelobet seist du Jesu Christ” shares a lot of simlarities with the prelude by Buxtehude on the same choral melody. For example the rapid notes in the pedal part near the end of the piece. Böhm must have kown the prelude by Buxtehude, and perhaps even used it as a model for his own piece.

The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk.

Registration
Mauaal: Holpijp 8′, Gemshoorn 4′
Rugwerk: Holpijp 8′, Quintadeen 8′, Quint 3′
Pedaal: Subbas 16′, Gedekt 8′

Score
pdf_iconBöhm, Gelobet seist du Jesu Christ

Score (non alto)
pdf_iconBöhm, Gelobet seist du Jesu Christ

Performance
Böhm, Gelobet seist du Jesu Christ

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