The 11th piece from the second fascicle of manuscript Mus Ms 30439 is in other sources attributed to Pachelbel. But the version in this manuscript differs in lots of places from the Breitkopf edition, available on imslp. The main difference is that this version is more truly ‘dorian’: the b is only rarely lowered to b flat, and the c is only rarely raised to c sharp. In my performance I play more raised c’s than there are in the manuscript. In the score I indicate these with an accidental in brackets. The procedure used is again a introductory four part fugue on the first line of the choral melody. The soprano voice is then silent for several bars, after which it reenters to state the full choral melody in long notes.
The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk.
Bw: Baarpijp 8′, Flagfluit 4′, Nasard 3′, Tremulant (Cantus Firmus)
Rw: Holpijp 8′, Quintadena 8′, Fluitdouce 4′
Ped: Subbas 16′, Holpijp 8′
Score (non alto)
Pachelbel, Durch Adams Fall ist ganz verderbt (non alto)
Pachelbel, Durch Adams Fall ist ganz verderbt (manualiter)