Karges includes in his manuscript (AM B 340, owned by the Staatbibliothek Berlin) at least three works composed by Heinrich Scheidemann. One of those…
Update, 27 december 2018: This fugue turns out to have been composed by Johann Jacob Froberger. The letters "F.S." are either an misattribution, they…
Manuscript Am. B. 340, owned by the Staatsbibliothek Berlin, contains three works that are generally believed to be composed by Wilhelm Karges: a…
Wilhelm Karges (1613 or 1614 – 1699), was a German organist and composer in the North German organ tradition. He was born in Berlin, where he spent…
Manuscript Am.B. 340, owned by the Staatsbibliothek Berlin, contains some 45 organ pieces, presumably copied by Wilhelm Karges. The composers are…
Manuscript Am.B. 340, owned by the Staatsbibliothek Berlin, contains some 45 organ pieces, presumably copied, adapted and/or composed by Wilhelm…
Manuscript Am B 340 contains three pieces that are generally believed to be composed by Karges himself. These are a Fantasia, Capriccio (though…
Manuscript Am.B. 340, owned by the Staatsbibliothek Berlin, contains some 45 organ pieces, presumably copied by Wilhelm Karges. Of some of the…
Manuscript Am.B. 340 was presumably written by Wilhelm Karges. As was usual in those days composers were indicated with their initials rather than…
Manuscript Am.B. 340 was presumably written by Wilhelm Karges. As was usual in those days composers were indicated with their initials rather than…
The third piece by Karges from manuscript Am. B340 is a piece called Capricio. Only the first half is (probably) written by Karges. The second half…
Manuscript Am B 340 contains two fugues, that have the initials "F.S" written beneath the title. Presumably those are the initials of the original…
The next composition in manuscript Am.B. 340 (after the Fantasia in G, published last week) is again an anonymous composition and I do not know on…
The Fantasia in D, written on folio 25 of manuscript Am.B 340 is again an anonymous work. It is again an Echo Fantasia and has many similarities with…
Wilhelm Karges (1613 or 1614 – 1699), was a German organist and composer in the North German organ tradition. He was born in Berlin, where he spent…
Even though Karges writes no initials below the title, the Fantasia in G is an adaptation of Scheidemann's Canzona, WV 74. Karges does not introduce…
The original source of this piece in manuscript Am B 340 is a manualiter Toccata by Heinrich Scheidemann. The practical source is a manuscript in…
Karges was familiar with the compositions of Sweelinck through Andreas Düben (1597 - 1662). Düben was a pupil of Sweelinck in Amsterdam from 1614…
The original source of this piece in manuscript Am B 340 is a manualiter Toccata in D Dorian by Johann Pieterszoon Sweelinck. This Toccata is…
The original source of this piece in manuscript Am B 340 is a manualiter Toccata in D Dorian by Johann Pieterszoon Sweelinck. This Toccata is…
The original source of this piece in manuscript Am B 340 is a Fantasia in D Dorian by Johann Pieterszoon Sweelinck. The original fantasia is some 12…
In manuscript Am. B. 340 Karges writes "J.P." below the the title of this composition. And in this case it is certain that he means Jan Pieterszoon…
The second piece by Karges from manuscript Am. B340 is a beautiful praeludium. It flows elegantly in long arching lines. There's not much in terms of…
In his adaptations Karges did not only shorten the original compositions he based his adaptations on, sometimes he elongated the originals as well.…
The Capricio in A, written on folio 27 of manuscript Am.B 340 bears the intials "B.M.". It is unknown which composer is meantby these initials. As…