Christian Gottlob Höpner, Befiehl du deine Wege
The second choral prelude fromHöpner’s opus 2, “Acht Vorspiele und zwei Fugen”, is a prelude based on the melody of “Befiehl du deine Wege”. That melody is probably the most famous because it is...
Category: Scores
Wilhelm Karges, Præludium
This Præludium is the last composition from Am. B. 340. I started publishing the compositions from this manuscript almost 5 years ago and now finally, 5 years and 44 compositions later the job is...
Johann Balthasar Kehl, Von Gott will ich nicht lassen
Is it coincidence that Kehl usedone of his most beautiful compositions as the last composition in his “Erste Sammlung”? Or was it the decision of a clever business man, to wet the appetites for...
Friedrich Wilhelm Marpurg, Fuga à 2, B Dur
Marpurg’s fugue in B flat major, is a two part fugue that shows more likeness to a capricio or to one of Bach’s inventions, than to a classic fugue. In that respect it is...
Christian Gotthilf Tag, Ich weiß daß mein Erlöser lebt
Tag’s prelude tot the choral “Ich weiß daß mein Erlöser lebt” is again a nice composition. Tag writes an almost frivolous accompaniment with many many triplets staccato eight notes, that contracsts very nicely with...
Josef Ferdinand Norbert Seger, Præambulum C Dur (L 6)
Seger’s Præambulum in C Dur (L 6) is the second prelude of many in manuscript Becker III.8.63 that feature some form in introduction in long static chords. The first one was the prelude in...
Wilhelm Karges, Fantasia auff 2 Clavier
This is the last Echo Fantasia from manuscript Am.B. 340. It consists of two echo episodes and a closing episodes in which the echo play is not as pronounced as in the first two...
Johann Balthasar Kehl, Jesu der du meine Seele
In the prelude to the choral “Jesu der du meine Seele” Kehl specifically writes “pedal” near the bass notes at the beginning of the piece but not in the remainder of the piece. So...
Frfiedrich WIlhelm Marpurg, Fuga à 3, Es Dur
Marpurg’s fugue in Es major, is a three part fugue that shows once again that Marpurg new how to write a fugue. After the first exposition, Marpurg plays mostly with the first half of...
Christian Gottlob Höpner, Nun danket alle Gott
Christian Gottlob Höpner (1799 – 1859) was a German composer and organist. He was born in Frankenberg and he largely taught himself how to play to piano and the organ. When it turned out...
Christian Gotthilf Tag, Wo Gott der Herr nicht bei uns hält
It is one and a half years ago since I last published a composition by Christian Gotthilf Tag (see here: Christian Gotthilf Tag, Meinen Jesum lass ich nicht. Yet I have 5 more compositions...
Wilhelm Karges, Capricio
The last Capricio from manuscript Am.B. 340 shows the characteristics of one of the Caprici Karges based on the compositions of Francois Roberday. I’m however unfamiliar withan original by Roberday’s hand on which this...
Johann Balthasar Kehl, Wach auf, mein Herz und Singe
After the two pedaliter choral preludes, Kehls prelude to the choral “Wach auf, mein Herz und singe” is again a manualiter piece. Though Kehl does not give a tempo indication, it seems to me...
Friedrich Wilhelm Marpurg, Fuga D Dur, à 2 voci
Marpurg’s fugue in D major, written for two voices, is an up tempo, spiritied composition. “Fugue” is probably not the most accurate description of this piece. The fugue theme appear a few times at...
Josef Ferdinand Norbert Seger, Fuga D Dur (L 4)
It is tempting to arrange Seger’s many preludes and fugues in the classical combination of “Prelude and Fugue”. This fugue in D major follows in the manuscript source immediately after the prelude of the...