This prelude is somewhat different from the other preludes from manuscript Ms Lynar B3 I published until now. It’s form does not consist of three seperate sections and there is no imitatory section. This...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
For an introduction to the Lynar B3 manuscript, see here. Though the name of the composer of most of the preludia is not known, they all follow more or less the same pattern. An...
The Lynar manuscripts were preserved in the holdings of the Duke of Lynar in Lübbenau, and are therefore also known as the Lübbenauer Orgeltabulaturen. Two of them, large codices in staff notation, bear the...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
The ninth piece in manuscript Ms Lynar B3 is an anonymous Fantasia, written in the sixth tone. Though it is anonymous in this manuscript, in the organ book of Matthias Rottenau (held in the...
The same manuscript that contains Christian Reichardt’s prelude to “Vater unser im Himmelreich” contains three more preludes that were probably written by Reichardt. The last of these three, is a three part prelude to...
“Wär Gott nicht mit uns dieser Zeit” is a Lutheran hymn. Martin Luther based the words for this hymn on psalm 124 and evoces in this hymn vividly that men’s life depends on God’s...
The last piece in the Leipziger manuscript with signature Becker II.2.51 is a prelude with a fugue. It has no named composer in the manuscript. However, based on the style of the piece I...
For an introduction to the Lynar B3 manuscript, see here. The prelude has again no indication of a composer in the manuscript. Short as it is, it is a well written work, perhaps a...
Johann Gottfried Neumeister (1757 – 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn’t for the collection of chorale preludes he compiled in the years shortly after...
The second fugue in the Leipziger manuscript with signature Becker II.2.51 without a named composer, that is nevertheless probably composed by Saxer, is a fugue in C major. It consists of three expositions. In...
As manuscript Ms. Lynar B3 is believed to be compiled in the circle of students of Jan Pieterszoon Sweelinck, it is to be expected that some works of the master himself are contained in...
The same manuscript that contains Christian Reichardt’s prelude to “Vater unser im Himmelreich” contains three more preludes that were probably written by Reichardt. One of these is a fugetta on the first phgrase of...
Besides the works attributed to a composer, the Leipziger manuscript with signature Becker II.2.51 preserves two preludes and fugues and two fugues without a named composer. The fugues share strong similarities with the three...
