Manuscript Becker III.8.43. owned by the Sachsische Landes- und Universitatsbibliothek contains 4 fugues by Johann Ludwig Krebs. The scribe made lots of errors in his transcriptions. So it is a bit of a guess...
Bach’s chorale prelude to “Kommt her zu mir spricht Gottes Sohn” is not only present in the Neumeister Sammlung, but is present in Mus. Ms. 30439 as well. I published the version from that...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
Five of the pieces in the Neumeister manuscript are without a named composer. Based on stylistical grounds and on references to other sources two of these pieces can be attributed to Johan Pachelbel, two...
“Ein Lämmelin geht” is a Lutheran hymn for Passiontide, often sung on the melody of “An Wasserflüssen Babylon”. Sorge wrote a prelude that captures the mood of the text and the tide perfectly. The...
Ernest Grosjean (1844 – 1936) published “Pièces pour orgue ou harmonium”, a set of 56 pieces in two volumes, in 1902. The first volume contains 33 easy pieces, that can be played without the...
The anonymous piece posted two days ago, turns out to be (probably) from Johann Ludwig Krebs. Martin Moree pointed out to me that both the libraries of Leipzig and of Berlin own a manuscript,...
Update, 4 sep 2018: The piece turns out to be (probably) by Johann Ludwig Krebs. See the new publication. I keep this post, to redirect visitors to the new score. The recording was done...
Five of the pieces in the Neumeister manuscript are without a named composer. Based on stylistical grounds and on references to other sources two of these pieces can be attributed to Johan Pachelbel, two...
Five of the pieces in the Neumeister manuscript are without a named composer. Based on stylistical grounds and on references to other sources two of these pieces can be attributed to Johan Pachelbel, two...
The last piece in Kauffmann’s “Harmonische Seelenlust” is actually composed by Johann Gottfried Walther. Kauffmann died before he could complete the entire collection. That’s perhaps the reason why his wife included four works not...
The last piece from the “Harmonische Seelenlust” that was composed by Kauffmann is a prelude to “Ach Gott und Herr”. Obviously not meant as a grande finale to the collection, it is (again) a...
The last few chorale preludes from Kauffmann’s “Harmonische Seelenlust” all have the same form of a fugato on the first phrase of the chorale melody. They show that Kauffmann had a firm grip of...
Kauffmann’s prelude to “Wenn wir in höchsten Nöthen sein” is again a fugato with the first phrase of the chorale melody as theme. Though notated on two staves, Kauffmann indicate two entries of the...
Kauffmann’s prelude to “Aus tiefer Noth schrei ich zu dir” is largely a manualiter piece. Setup as a fugato on the first phrase of the choral melody, the last entry of the theme is...
