It is one and a half years ago since I last published a composition by Christian Gotthilf Tag (see here: Christian Gotthilf Tag, Meinen Jesum lass ich nicht. Yet I have 5 more compositions...
The last Capricio from manuscript Am.B. 340 shows the characteristics of one of the Caprici Karges based on the compositions of Francois Roberday. I’m however unfamiliar withan original by Roberday’s hand on which this...
After the two pedaliter choral preludes, Kehls prelude to the choral “Wach auf, mein Herz und singe” is again a manualiter piece. Though Kehl does not give a tempo indication, it seems to me...
Marpurg’s fugue in D major, written for two voices, is an up tempo, spiritied composition. “Fugue” is probably not the most accurate description of this piece. The fugue theme appear a few times at...
It is tempting to arrange Seger’s many preludes and fugues in the classical combination of “Prelude and Fugue”. This fugue in D major follows in the manuscript source immediately after the prelude of the...
The prelude in C major, L 5, is a bit intruiging. The first two bars are identiacal to the beginning of the prelude in C major, L 16a, from the same manuscript. After those...
The next composition from manuscript AM.B. 340 is again an echo fantasia. It is either an original composition by Karges, or an adaptation of a composition by an unknown composer. Either way, it consists...
Kehl’s second full swing pedaliter chorale prelude, is the prelude to “Meinen Jesum lass ich nicht”. And Kehl makes it the composition quite difficult to play, as it features some tricky trills in the...
The next compositions from Marpurg’s Fughe e Capricci per clavicembalo o per l’organo, after the Fuga a 3 voci in D major, is the Capriccio in F major. Marpurgs Capricci are mostly a sort...
The third composition from manuscript Becker III.8.63, a prelude in D major, gives rise to another question concerning the organ music of Josef Ferdinand Norbert Seger. This prelude is one of a lot of...
Karges based at least two fantasia’s in the manuscript on Sweelink’s original Fantasia Chromatica. I say “at least” because there are two short fragments inserted in the manuscript that are probably based on the...
Though Kehl’s music is mostly manualiter, with occasionally a rather lonely pedal note written in, sometimes he writes a full swing pedaliter piece. The choral prelude to “Was mein Gott will, das gescheh allzeit’...
Marpurg’s Fugue in D major a 3 Voci, taken his “Fughe e Capricci per clavicembalo o per l’organo” is a bit more serious affair than the fugue in A major I published 6 days...
A few days ago I started a new series with compositions by Fuga con seggetto doppio (see here. Today follows the second composition in this seris, a fugue with two subjects. As far as...
Karges edited several pieces by Jan Pieterszoon Sweelinck into more than one composition. He gives Sweelink’s Fantasia Chromatica the same treatment. He bases at least two fantasia’s in the manuscript on Swwelink’s original. I...
