After my reconstructions of Sorge’s choral preludes to the chorals “O Herre Gott, dein Göttlich Wort” and “Allein Gott in der Höh sei Ehr” I thought that three times is a charm and I...
After my (in my opinion) succesful restoration of an incomplete choral prelude by Georg Andreas Sorge (see here and here I wanted to try another one. On the last page of manuscript Go. S....
A few years ago I transcribed a manuscript containing some 20 plus chorale preludes composed by Georg Andreas Sorge. No less than five of them are incomplete, because there are several pages missing from...
Johann Gottfried Neumeister (1757 – 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn’t for the collection of chorale preludes he compiled in the years shortly after...
Georg Andreas Sorge (1703 – 1778) wrote eleven Trios for organ. Or perhaps he wrote more, but eleven of them survived in manuscript form till today. That is to say: one of them is...
Sorge’s prelude to “Seelen Bräutigam” is the last complete prelude in manuscript Go S 597. The manuscripts contains 5 more chorale preludes but sadly they are incomplete. The prelude to “Seelen Bräutigam” is again...
Sorge’s prelude to “Zeuch ein zu deinen Toren” is in his by now familiar style of trio like introduction, and trio like treatment of the chorale melody. The introduction features twice the first phrase...
In his prelude to “Jesum lieb ich ewiglich” Sorge employs the technique of the canon. Each phrase of the chorale melody is canonically answered in the bass or in the alto voice. The accompaniment...
Sorge’s prelude to “Jesus, meine Zuversicht” is another fine example of Sorge’s fine way of using a trio like texture to create a chorale prelude. The introduction is written for two voices and pedal....
Sorge’s prelude to “Erstanden ist der heilig Christ is not as exuberant as his prelude to “Heut triumphiret Gottes Sohn” I uploaded two days ago. One could call it even strange that a prelude...
Sorge’s prelude to “Heut triumphiret Gottes Sohn” has an introduction with two voices plus a bass voice. When the choral melody enters, the accompanying textures reduces to one voice and bass voice. Sorge creates...
Sorge’s prelude to “Wenn meine Sünd mich kränken” is one of the 20 or something preludes by Sorge contained in manuscript Go.S. 597. Sorge’s preludes in this collection are setup as a Trio. The...
The Neumeister Sammlung contains 5 chorale preludes written by Georg Andreas Sorge, Neumeister’s teacher at the organ. This is the fifth and last one of them. A simple three part setting of “Freu dich...
The Neumeister Sammlung contains 5 chorale preludes written by Georg Andreas Sorge, Neumeister’s teacher at the organ. This is the fourth of them. Allthough Sorge uses simple means in composing this piece, the result...
The Neumeister Sammlung contains 5 chorale preludes written by Georg Andreas Sorge, Neumeister’s teacher at the organ. The five pieces by Sorge were probably added after Neumeister copied the main repertoire in his manuscript....
