Sorge’s prelude to “Heut triumphiret Gottes Sohn” has an introduction with two voices plus a bass voice. When the choral melody enters, the accompanying textures reduces to one voice and bass voice. Sorge creates and exuberant, triumphant piece, perfect for the choral’s text.
The recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus Organs for Hauptwerk.
Score
Sorge, Heut triumphieret Gottes Sohn
Performance
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Would you consider providing the Lilypond source files?
Bluntly: no. I share every score I create, and every performance. The Lilypond source files I keep to myself.