Usually in choral preludes I tend to have stronger stops for the chorale melody and softer stops for the accompaniment. In this prelude, however, Kauffmann prescribes a registration that has it the other way round. Interesting.
The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk.
Registration:
BW: Baarpijp 8′, Nachthoorn 2′, Dolceaan 8′, Vox Humana 8′
HW: Octaaf 8′, Trompet 8′
Score
Kauffmann, Nun ruhen alle Walder
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