The choral preludes “Erbarm dich mein, o Herre Gott”, LV 28), shows Zachow mastered counterpoint to a high level. The manuscript subtitles this composition as “Choral con Fuga et contrasubjecto”. Though it’s not a...
Richter’s Prelude and Fuge in E flat major is again a great work. Richter’s idiom is thouroughly rooted in Baroque idiom and rhetoric , as is for example evident from the ‘Seufzer'(sigh) figure in...
Last year I published all the works contained in manuscript Ms Lynar B3. Or so I thought. Today I wanted to create and upload a spotify playlist for all those pieces and found one...
Almost 6 months ago I made a transcription of the middle part of Vivaldi’s third Flute Concerto. Today, I heard someone play a transcription of the second part of Vivaldi’s Violin Concerto l’Inverno on...
This choral prelude on the melody of “Was mein Gott will das g’scheh allzeit” is a straightforward piece. The introduction is a short fugato on the first line of the choral melody. Then follows...
It’s been a while since I published a composition from manuscript Mus. Ms. 40037. The last one was Kirchhoff’s ciaconna on Ach, Herr mich armen Sünder. The next composition in the manuscript is a...
Even though I love Baroque music, it is not the style of music I like to use to write music. If music is like story telling, the Baroque style is not the what I...
My study annex music room is a mess, let’s be honest about that. It is crammed full with four instruments (organ, piano, violin and a guitar), books, materials of three studies (biochemistry, IT and...
The only source available for this composition is the Frankenberger manuscript, in the posession of “Het Nederlands Muziekinstituut”, the national library of The Netherlands. The manuscript is named after one of the former posessors...
There remains no autograph of this the Trio in d minor, BWV 583. All sources of this work are copies written somewhere after Bach’s death. Though there were once 11 manuscripts with a version...
Kirchhoff seems to have elvated the ciaconna to his trademark technique for writing a choral prelude. His prelude to the famous melody of “Ach Herr mich armen Sünder” has a theme of eight bars...
The Capricio in A, written on folio 27 of manuscript Am.B 340 bears the intials “B.M.”. It is unknown which composer is meantby these initials. As Karges was familiar with the circle of Sweelinck...
In his adaptations Karges did not only shorten the original compositions he based his adaptations on, sometimes he elongated the originals as well. The Ricercar Primi Toni is an example of the latter. This...
Antonio Vivaldi never was a composor of organ music. Yet some of his works lend themselfes perfectly for transcription for the organ. One of those pieces is the second movement of Vivaldi’s third Flute...
The Fantasia in D, written on folio 25 of manuscript Am.B 340 is again an anonymous work. It is again an Echo Fantasia and has many similarities with the preceding one. I am inclined...
