Simon Lohet, Fuga Prima
Simon Lohet (Loxhay) (c. 1550 – 1611) was a Flemish composer, possibly born in Maastricht. During his live he was mostly active in Germany. He was organist of the Württemberg court of count Louis...
Simon Lohet (Loxhay) (c. 1550 – 1611) was a Flemish composer, possibly born in Maastricht. During his live he was mostly active in Germany. He was organist of the Württemberg court of count Louis...
Samuel Michael David Gattermann (1748 – 1829) was Kantor in the St. Petri Kirche in Berlin and taught at the Kolnische Gymnasium. He was a pupil of Johann Philipp Kirnberger. He was an educated...
Johann Baptist Anton Vallade was born circa 1720 in Ingolstadt and lived till presumably 1780 in Mendorf. Not much is known about his life. He must have been educated in or around Ingolstadt. In...
A festive prelude for a festive day. Played with with plenum of first two manuals, and the powerful Bombarde 16′ in the pedals. The recording was done on the sample set of the Holzey...
Johann Friedrich Alberti (1642 – 1710) was born in Tönning, Schleswig. He received his musical training in Leipzig from Werner Fabricius and in Dresden from Vincenzo Albrici. Then he worked as an organist in...
The seventh and last prelude (and fugue) from Vallade’s “Dreyfaches Musicalisches Exercitium”. For a short biography of Vallade and the first prelude see here. The original is written on just two systems, leaving the...
The sixth prelude from Vallade’s “Dreyfaches Musicalisches Exercitium”. For a short biography of Vallade and the first prelude see here. Again, I took the liberty to add some notes, in my performance, this time...
A small manualiter prelude, played in a small registration. The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. Score Buttstett, Gottes Sohn ist kommen (2)...
Christian Friedrich Witt (~1660 – 1716) was born in Altenburg. He was first taught music by his father, Johann Ernst Witt, who was Altenburg court organist in succession to Gottfried Scheidt. Frederick I, Duke...
The fifth prelude from Vallade’s “Dreyfaches Musicalisches Exercitium”. For a short biography of Vallade and the first prelude see here. The texture of the fifth preambulum is a bit thin in my eyes (ears)....
An interesting prelude by Kauffmann on this Christmas choral. All phrases of the melody are introduces and accompanied by themselves in diminution. It gives a surprising grandeur to the melody itself. The recording was...
The fourth prelude from Vallade’s “Dreyfaches Musicalisches Exercitium”. For a short biography of Vallade and the first prelude see here The recording was done on the new sample set of the Holzey organ of...
One of the three preludes by Buttstett on “Gottes Sohn ist kkommen”. It has the melody in the bass. The recording was done on the new sample set of the Holzey organ of St....
The third prelude from Vallade’s “Dreyfaches Musicalisches Exercitium”. Even though Vallade uses a typical Baroque form, this prelude show clearly the transtition to the classical period. For a short biography and the first prelude...
The second prelude from Vallade’s “Dreyfaches Musicalisches Exercitium” is a gently flowing piece. Unlike most other fugues by Vallade, this fugue is three parts throughout the whole piece. For a short biography and the...