The last Capricio from manuscript Am.B. 340 shows the characteristics of one…
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After the two pedaliter choral preludes, Kehls prelude to the choral “Wach…
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Marpurg’s fugue in D major, written for two voices, is an up…
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It is tempting to arrange Seger’s many preludes and fugues in the…
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The prelude in C major, L 5, is a bit intruiging. The…
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The next composition from manuscript AM.B. 340 is again an echo fantasia.…
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Kehl’s second full swing pedaliter chorale prelude, is the prelude to “Meinen…
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The next compositions from Marpurg’s Fughe e Capricci per clavicembalo o per…
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The third composition from manuscript Becker III.8.63, a prelude in D major,…
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Karges based at least two fantasia’s in the manuscript on Sweelink’s original…
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Though Kehl’s music is mostly manualiter, with occasionally a rather lonely pedal…
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Marpurg’s Fugue in D major a 3 Voci, taken his “Fughe e…
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A few days ago I started a new series with compositions by…
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Karges edited several pieces by Jan Pieterszoon Sweelinck into more than one…
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The next prelude from Kehl’s “Erste Sammlung einiger variierter Choräle” is the…