1.0Partitura Organumhttps://partitura.orgadminhttps://partitura.org/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="1vwjLcQCCM"><a href="https://partitura.org/index.php/auke-jongbloed-larghetto-ostinato-op-12/">Auke Jongbloed, Larghetto ostinato, Op. 12</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://partitura.org/index.php/auke-jongbloed-larghetto-ostinato-op-12/embed/#?secret=1vwjLcQCCM" width="600" height="338" title="“Auke Jongbloed, Larghetto ostinato, Op. 12” — Partitura Organum" data-secret="1vwjLcQCCM" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/partitura.org/wp-content/uploads/2024/12/Jongbloed-Larghetto-ostinato.png?fit=1041%2C668&ssl=11041668Score Larghetto ostinato Performance After I (finally) finished the Fantasia I published last week, I wanted to compose new. And as I had learned that inspiration doesn’t come spontaneously, I just sat down and began writing. This Larghetto is the result. It started with just the idea for the first chord progression in bars 1 and 2. And it gradually grew from that first idea. Now that it is finished, I can hear it for what it is: an expression of all the emotions that have haunted me these last few months. Though I started without any real plan, I’m quite proud of the result. The form is a simple A-B-A’-Coda, where the Coda is build on the material taken from the middle section. The music starts with a solid a minor chord in the first bar, yet most of the harmonies used aare mildly dissonant. The music ventues from and to a never really a minor tonality, never really f minor and never really e flat minor, using seconds, sixths, nones and undecimes as added notes to the chords. The music ends with a long chord sequence that almost reaches an a minor closing chord, but deep down an added f sharp keeps the music fomr reaching a consonant ending. Though the effect of the long closing chord sequence is that that last dissonance almost feels like a consonant. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Cavaillé-Coll organ in the St. Omer church in the city of St. Omer (https://www.sonusparadisi.cz/en/organs/france/st-om.html).