1.0Partitura Organumhttps://partitura.orgadminhttps://partitura.org/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="V7GM7h6Z50"><a href="https://partitura.org/index.php/georg-friedrich-kauffmann-o-lamm-gottes/">Georg Friedrich Kauffmann, O Lamm Gottes</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://partitura.org/index.php/georg-friedrich-kauffmann-o-lamm-gottes/embed/#?secret=V7GM7h6Z50" width="600" height="338" title="“Georg Friedrich Kauffmann, O Lamm Gottes” — Partitura Organum" data-secret="V7GM7h6Z50" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/partitura.org/wp-content/uploads/2018/06/Kauffmann-O-Lamm-Gottes-preview.png?fit=934%2C604&ssl=1934604The intended structure of Kauffmann’s prelude to “O Lamm Gottes” is not immediately clear. Kauffmann gives an alternative ending for the piece that can be played from bar 9 and further. And the alternative has a second part, called “a 3 per Imitationes”. Did Kauffmann intend this piece as a da capo prelude with the imitationes as a middle part? Or are they two different pieces: one that ends as a four voice piece, one that ends with the imitationes? Or are they intented as three seperate pieces? I don’t know. In the performance I choose to play it as a da capo prelude. The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Kauffmann, O Lamm Gottes Performance