1.0Partitura Organumhttps://partitura.orgadminhttps://partitura.org/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="kBy9TTuONQ"><a href="https://partitura.org/index.php/simon-lohet-fuga-16/">Simon Lohet, Fuga 16</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://partitura.org/index.php/simon-lohet-fuga-16/embed/#?secret=kBy9TTuONQ" width="600" height="338" title="“Simon Lohet, Fuga 16” — Partitura Organum" data-secret="kBy9TTuONQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/partitura.org/wp-content/uploads/2016/04/Lohet_Fuga_16_preview.jpg?fit=770%2C570&ssl=1770570The sixteenth fugue of Lohet has no less then three different themes. But they all do not get more than one exposition and then the fugue is over. Interesting is that in the first exposition Lohet emplois again inversion: the seond and fourth entrance of the theme, have the theme inverted. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Lohet, Fuga 16 MP3: