1.0Partitura Organumhttps://partitura.orgadminhttps://partitura.org/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="d6sfkk8lKj"><a href="https://partitura.org/index.php/wilhelm-karges-fantasia-in-a-2/">Wilhelm Karges, Fantasia in A (2)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://partitura.org/index.php/wilhelm-karges-fantasia-in-a-2/embed/#?secret=d6sfkk8lKj" width="600" height="338" title="“Wilhelm Karges, Fantasia in A (2)” — Partitura Organum" data-secret="d6sfkk8lKj" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/partitura.org/wp-content/uploads/2020/01/Karges-XX-p0040.png?fit=988%2C636&ssl=1988636The next composition in manuscript Am.B. 340 (after the Fantasia in G, published last week) is again an anonymous composition and I do not know on which original it might be based. The composition consists of two parts with each it’s own motif, though the two motifs are closely linked. Throughout the work both motifs are presented in a lot of variations. The first part starts in a minor and works towards C major. The second part works it’s way back from C major towards a minor. It is a lively work, with lots of fast paced runs of sixteenth notes. Most of these runs are variations of the basic motifs of the composition, giving it great unity. The recording was done with the sample set of the Silbermann organ of the Stadtkirche Zöblitz by Prospectum. Score Karges, Fantasia in A Performance Karges, Fantasia in A