1.0Partitura Organumhttps://partitura.orgadminhttps://partitura.org/index.php/author/admin/rich600338<blockquote class="wp-embedded-content" data-secret="CJQzz3Wyw9"><a href="https://partitura.org/index.php/wilhelm-karges-praeludium-quatri-toni/">Wilhelm Karges, Præludium quatri toni</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://partitura.org/index.php/wilhelm-karges-praeludium-quatri-toni/embed/#?secret=CJQzz3Wyw9" width="600" height="338" title="“Wilhelm Karges, Præludium quatri toni” — Partitura Organum" data-secret="CJQzz3Wyw9" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/partitura.org/wp-content/uploads/2018/02/Karges-Praeludium-preview.jpg?fit=1009%2C650&ssl=11009650The second piece by Karges from manuscript Am. B340 is a beautiful praeludium. It flows elegantly in long arching lines. There’s not much in terms of thematic of motivic development, yet the music manages to form an coherent whole. The recording was done on the sample set of the Mascioni of the parisch church in Azzio, made by Piotr Gabrowsky. Score Karges, Praeludium Performance