{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Auke Jongbloed, Larghetto ostinato, Op. 12 - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RP1Bh3tAQ0\"><a href=\"https:\/\/partitura.org\/index.php\/auke-jongbloed-larghetto-ostinato-op-12\/\">Auke Jongbloed, Larghetto ostinato, Op. 12<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/auke-jongbloed-larghetto-ostinato-op-12\/embed\/#?secret=RP1Bh3tAQ0\" width=\"600\" height=\"338\" title=\"&#8220;Auke Jongbloed, Larghetto ostinato, Op. 12&#8221; &#8212; Partitura Organum\" data-secret=\"RP1Bh3tAQ0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/12\/Jongbloed-Larghetto-ostinato.png?fit=1041%2C668&ssl=1","thumbnail_width":1041,"thumbnail_height":668,"description":"Score Larghetto ostinato Performance After I (finally) finished the Fantasia I published last week, I wanted to compose new. And as I had learned that inspiration doesn&#8217;t come spontaneously, I just sat down and began writing. This Larghetto is the result. It started with just the idea for the first chord progression in bars 1 and 2. And it gradually grew from that first idea. Now that it is finished, I can hear it for what it is: an expression of all the emotions that have haunted me these last few months. Though I started without any real plan, I&#8217;m quite proud of the result. The form is a simple A-B-A&#8217;-Coda, where the Coda is build on the material taken from the middle section. The music starts with a solid a minor chord in the first bar, yet most of the harmonies used aare mildly dissonant. The music ventues from and to a never really a minor tonality, never really f minor and never really e flat minor, using seconds, sixths, nones and undecimes as added notes to the chords. The music ends with a long chord sequence that almost reaches an a minor closing chord, but deep down an added f sharp keeps the music fomr reaching a consonant ending. Though the effect of the long closing chord sequence is that that last dissonance almost feels like a consonant. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Cavaill\u00e9-Coll organ in the St. Omer church in the city of St. Omer (https:\/\/www.sonusparadisi.cz\/en\/organs\/france\/st-om.html)."}