{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"Auke Jongbloed","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Dietrich Buxtehude, Puer natus in Bethlehem, BuxWV 217 - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uGA7fjtx8x\"><a href=\"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-puer-natus-bethlehem-buxwv-217\/\">Dietrich Buxtehude, Puer natus in Bethlehem, BuxWV 217<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-puer-natus-bethlehem-buxwv-217\/embed\/#?secret=uGA7fjtx8x\" width=\"600\" height=\"338\" title=\"&#8220;Dietrich Buxtehude, Puer natus in Bethlehem, BuxWV 217&#8221; &#8212; Partitura Organum\" data-secret=\"uGA7fjtx8x\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/10\/BuxWV217_preview.jpg?fit=770%2C490&ssl=1","thumbnail_width":770,"thumbnail_height":490,"description":"BuxWV 217 is one of the shortest chorale preludes by Buxtehude. The character is solemn and dignified. Ideally suited I think to use a Trompet stop as cantus firmus. I wish I could play it the way Gerard van Reenen does. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration Manuaal: Prestant 8&#8242;, Octaaf 4&#8242;, Trompet 8&#8242; bas, Trompet 8&#8242; diskant (RH) Rugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Kromhoorn 8&#8242; (LH) Pedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Score Buxtehude, Puer natus in Bethlehem, BuxWV 217 Score (non alto) Buxtehude, Puer natus in Bethlehem, BuxWV 217 (non alto) MP3"}