{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Georg Andreas Sorge, Wir Christenleut - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iVZNkXYyTc\"><a href=\"https:\/\/partitura.org\/index.php\/georg-andreas-sorge-wir-christenleut\/\">Georg Andreas Sorge, Wir Christenleut<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/georg-andreas-sorge-wir-christenleut\/embed\/#?secret=iVZNkXYyTc\" width=\"600\" height=\"338\" title=\"&#8220;Georg Andreas Sorge, Wir Christenleut&#8221; &#8212; Partitura Organum\" data-secret=\"iVZNkXYyTc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/12\/Sorge-Wir-Christenleut-preview.jpg?fit=1004%2C647&ssl=1","thumbnail_width":1004,"thumbnail_height":647,"description":"The tonality of g minor seems to have been very inspirational to Sorge. Not only does he use it often (3 times in the first 6 choral preludes from this manuscript collection), he creates very elegant flowing music with it. This prelude is no exception. It has a relatively long, three voice, introduction, before the chorale melody enters. After that, the accompaniment is a two voice texture, just as in the other preludes. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Sorge, Wir Christenleut Performance"}