{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Georg Friedrich Kauffmann, O Lamm Gottes - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hs8Yh7AcAN\"><a href=\"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-o-lamm-gottes\/\">Georg Friedrich Kauffmann, O Lamm Gottes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-o-lamm-gottes\/embed\/#?secret=hs8Yh7AcAN\" width=\"600\" height=\"338\" title=\"&#8220;Georg Friedrich Kauffmann, O Lamm Gottes&#8221; &#8212; Partitura Organum\" data-secret=\"hs8Yh7AcAN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/06\/Kauffmann-O-Lamm-Gottes-preview.png?fit=934%2C604&ssl=1","thumbnail_width":934,"thumbnail_height":604,"description":"The intended structure of Kauffmann&#8217;s prelude to &#8220;O Lamm Gottes&#8221; is not immediately clear. Kauffmann gives an alternative ending for the piece that can be played from bar 9 and further. And the alternative has a second part, called &#8220;a 3 per Imitationes&#8221;. Did Kauffmann intend this piece as a da capo prelude with the imitationes as a middle part? Or are they two different pieces: one that ends as a four voice piece, one that ends with the imitationes? Or are they intented as three seperate pieces? I don&#8217;t know. In the performance I choose to play it as a da capo prelude. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Kauffmann, O Lamm Gottes Performance"}