{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"Auke Jongbloed","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Johann Adolph Scheibe, Partita III - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"azd0z8DZDj\"><a href=\"https:\/\/partitura.org\/index.php\/johann-adolph-scheibe-partita-iii\/\">Johann Adolph Scheibe, Partita III<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/johann-adolph-scheibe-partita-iii\/embed\/#?secret=azd0z8DZDj\" width=\"600\" height=\"338\" title=\"&#8220;Johann Adolph Scheibe, Partita III&#8221; &#8212; Partitura Organum\" data-secret=\"azd0z8DZDj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/04\/Scheibe_Partita_3_preview.jpg?fit=898%2C556&ssl=1","thumbnail_width":898,"thumbnail_height":556,"description":"Two manuscripts containing 7 keyboard partita&#8217;s are held by the Staatsbibliothek Berlin. The partita&#8217;s vary in length, the number of dances, their type and order seem somewhat arbitrary. But they all have one thing in common: they stick to the mind. Originally meant for harpsichord, they work very well on organ too. The seven partita&#8217;s form a collection of 51 pieces, each of which can be of great value in musical education, or as a quick to learn intermezzo during service. They are relatively easy, but written with great ingenuity and craftmanship. Practise one of them for half an hour, and you&#8217;ll find yourself humming the piece for the rest of the day. The third partita contains 8 dances. Bour\u00e9e I is one of my favorite pieces of all 51 dances. But the other 7 are almost as attractive. The recording was done with the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam. 00:00 Allemande 03:00 Courante 05:40 Sarabande 07:40 Bour\u00e9e I &#038; Bour\u00e9e II 10:37 Aria (adagio) 12:45 Menuet I &#038; Menuet II 15:45 Gigue Score Scheibe, Partita III MP3:"}