{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Johann Pachelbel, Dies sind die heilgen zehn Gebot - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bScgEfBZ4C\"><a href=\"https:\/\/partitura.org\/index.php\/johann-pachelbel-dies-sind-die-heilgen-zehn-gebot\/\">Johann Pachelbel, Dies sind die heilgen zehn Gebot<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/johann-pachelbel-dies-sind-die-heilgen-zehn-gebot\/embed\/#?secret=bScgEfBZ4C\" width=\"600\" height=\"338\" title=\"&#8220;Johann Pachelbel, Dies sind die heilgen zehn Gebot&#8221; &#8212; Partitura Organum\" data-secret=\"bScgEfBZ4C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2021\/03\/Pachelbel-Dies-sind-hie-heilgen-zehn-Gebot.png?fit=881%2C564&ssl=1","thumbnail_width":881,"thumbnail_height":564,"description":"Pachelbel&#8217;s prelude to &#8220;Dies sind die heilgen zehn gebot&#8221; is also a fugue on the first phrase of the choral melody. It strikes me as such a powerful piece, that I think it is meant as a pedaliter piece, even if the manuscript does not indicate so. My score therefore features three staves and renders the lowest voice of the manuscript as the pedal line. There are already more than enough eidtions of this piece available rendering it as a manualiter piece on two staves that I didn&#8217;t bother creating one. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Hinsz organ in the Reformed church in the Midwolda Score Pachelbel, Dies sind die heilgen zehn Gebot Performance"}