{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Paul Siefert (?), Fantasia Octavi Toni ex G (2) - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"w06Aob2TWi\"><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g-2\/\">Paul Siefert (?), Fantasia Octavi Toni ex G (2)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g-2\/embed\/#?secret=w06Aob2TWi\" width=\"600\" height=\"338\" title=\"&#8220;Paul Siefert (?), Fantasia Octavi Toni ex G (2)&#8221; &#8212; Partitura Organum\" data-secret=\"w06Aob2TWi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/04\/Anon-Fantasia-12.png?fit=1080%2C688&ssl=1","thumbnail_width":1080,"thumbnail_height":688,"description":"The second Fantasia octavi Toni ex G from manuscript Backer II.2.51 is structurally similar to it&#8217;s predecessor in the manusript. Both feature three episodes in whoch the themes appear in their &#8216;normal&#8217; form and in the inverted form. Often both forms of the themes are juxtaposed. The composer shows his counterpointal prowess by constantly changing the way in which both forms of the themes overlap. The recording was done on the demo sample set of in the St. Valentinus and Dionysius church in Kiedrich by Sonus Paradisi for Hauptwerk. Score Siefert (?), Fantasia octavi toni ex G Performance"}