{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"admin","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Paul Siefert (?), Fantasia Quinti Toni ex F bmol - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6pIoAV5VDA\"><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni\/\">Paul Siefert (?), Fantasia Quinti Toni ex F bmol<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni\/embed\/#?secret=6pIoAV5VDA\" width=\"600\" height=\"338\" title=\"&#8220;Paul Siefert (?), Fantasia Quinti Toni ex F bmol&#8221; &#8212; Partitura Organum\" data-secret=\"6pIoAV5VDA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?fit=1098%2C709&ssl=1","thumbnail_width":1098,"thumbnail_height":709,"description":"The first fantasia quinti toni from manuscript Becker II 51 a single theme, though the composition is clearly divided into three sections. The theme of the piece is introduced in the tenor voice, and is then passed between the other two parts. The first two sections differ in the counter motif used. In the third section the main theme is played in shorter note values. The recording was done with the Hauptwerk software and the sampleset, made by Voxus, of the Matthijs van Deventer-orgel in the Grote Kerk, Nijkerk (https:\/\/www.voxusorgans.com\/en\/product\/nijkerk). Score Siefert (?), Fantasia Quinti Toni ex F bmol Performance"}