{"version":"1.0","provider_name":"Partitura Organum","provider_url":"https:\/\/partitura.org","author_name":"Auke Jongbloed","author_url":"https:\/\/partitura.org\/index.php\/author\/admin\/","title":"Simon Lohet, Fuga Decima Octava - Partitura Organum","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BjvPc7kion\"><a href=\"https:\/\/partitura.org\/index.php\/simon-lohet-fuga-decima-octava\/\">Simon Lohet, Fuga Decima Octava<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/partitura.org\/index.php\/simon-lohet-fuga-decima-octava\/embed\/#?secret=BjvPc7kion\" width=\"600\" height=\"338\" title=\"&#8220;Simon Lohet, Fuga Decima Octava&#8221; &#8212; Partitura Organum\" data-secret=\"BjvPc7kion\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/04\/Lohet_Fuga_18_preview.png?fit=750%2C562&ssl=1","thumbnail_width":750,"thumbnail_height":562,"description":"Of course I had to try Lohet on my new sample set as well. Lohet&#8217;s eighteenth fugue is again some dense contrapuntal writing. The first part of the fugue is setup as a mono thematic fugue. Somewhere around twothird of the piece it changes in a double fugue. In the original edition the alto and tenor voice play the second theme in unisono. I have the feeling it is an editorial error. But since I have no other source, I leave it as it is. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Praestant 8&#8242;, Baarpijp 8&#8242;, Octaaf 4&#8242;, Nasard 3&#8242;, Dolceaan 8&#8242; Ped: Subbas 16&#8242;, Octaaf 8&#8242;, Octaaf 4&#8242; Score (pedal) Lohet, Fuga Decima Octava Score (non pedal) Lohet, Fuga Decima Octava MP3:"}