{"id":10054,"date":"2021-12-28T09:25:58","date_gmt":"2021-12-28T07:25:58","guid":{"rendered":"http:\/\/partitura.org\/?page_id=10054"},"modified":"2021-12-28T09:25:58","modified_gmt":"2021-12-28T07:25:58","slug":"marpurg-friedrich-wilhelm","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/marpurg-friedrich-wilhelm\/","title":{"rendered":"Marpurg, Friedrich Wilhelm"},"content":{"rendered":"
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Frfiedrich WIlhelm Marpurg, Fuga \u00e0 3, Es Dur<\/a><\/h2>\n
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\n Posted on Nov 27th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's fugue in Es major, is a three part fugue that shows once again that Marpurg new how to write a fugue. After the first exposition, Marpurg\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Ach Gott und Herr<\/a><\/h2>\n
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\n Posted on May 10th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to the chorale \"Ach Gott und Herr\" is again a case of two compositions tolled into one. As it were, two preludes for the price of\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Ach was soll ich S\u00fcnder machen<\/a><\/h2>\n
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\n Posted on Dec 30th, 2021 <\/span>\n <\/p>\n <\/div>\n

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\n Friedrich Wilhelm Marpurg (1718 \u2013 1795) was a German music critic, music theorist and composer. During his life he published two volumes of chorale\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Auf! Auf! mein Herz, mit Freuden<\/a><\/h2>\n
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\n Posted on May 24th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg wrote several choral preludes that are actually two seperate preludes rolled into one. Marpurg's prelude to \"Auf! Auf! meine, mit Freuden\" is\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Aus tiefer Noth schrei ich zu dir<\/a><\/h2>\n
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\n Posted on May 31st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n In his prelude to \"Aus tiefer Noth schrei ich zu dir\" Marpurg uses the same procedure as in het preludes to \"Was Gott thut das ist wohlgetan\" and\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Befiehl du deine Wege<\/a><\/h2>\n
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\n Posted on May 3rd, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The next choral prelude by Marpurg's hand is the prelude to the famous melody of \"O haupt voll Blut und Wunden\". That melody was used for other\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Capriccio in F Dur<\/a><\/h2>\n
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\n Posted on Nov 9th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The next compositions from Marpurg's Fughe e Capricci per clavicembalo o per l'organo, after the Fuga a 3 voci in D major, is the Capriccio in F\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Christus der ist mein Leben<\/a><\/h2>\n
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\n Posted on Feb 11th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's chorale prelude on the choral \"Christus der ist mein Leben\" consists actualy of two seperate pieces, rolled into one composition. You get,\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Der Herr ist mein getreuer Hirt<\/a><\/h2>\n
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\n Posted on Feb 15th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to \"Der Herr ist mein getreuer Hirt\" is a nice short prelude. It consists of two halves, the second of which is nothing more than\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga \u00e0 2, B Dur<\/a><\/h2>\n
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\n Posted on Dec 7th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's fugue in B flat major, is a two part fugue that shows more likeness to a capricio or to one of Bach's inventions, than to a classic fugue.\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga \u00e0 4, G Dur<\/a><\/h2>\n
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\n Posted on Dec 21st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The four part fugua in G major is the last composition from Marpurg's \"Fughe and Capricci per l'clavicembalo o per l'organo\", of which a digital copy\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga D Dur, \u00e0 2 voci<\/a><\/h2>\n
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\n Posted on Nov 17th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's fugue in D major, written for two voices, is an up tempo, spiritied composition. \"Fugue\" is probably not the most accurate description of\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga in A Dur \u00e0 3 voci<\/a><\/h2>\n
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\n Posted on Oct 22nd, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n This fugue in a major is the third fugue taken from Mapurg's \"Fughe e Capricci per clavicembalo o per l'organo\". It is a lively three part fugue,\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga in a moll (1)<\/a><\/h2>\n
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\n Posted on Jul 15th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Of Marpurg's didactical writings, the Abhandlung von der Fuge (1753\u20134) is a authoritative discussion of fugal practice in late Baroque music.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga in a moll \u00e0 3<\/a><\/h2>\n
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\n Posted on Jul 31st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Manuscript Becker III.8.51, owned by the Universit\u00e4tsbibliothek Leipzig, contains four fugues for organ or keyboard, from Friedrich Wilhelm Marpurg.\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Fuga in a moll \u00e0 5<\/a><\/h2>\n
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\n Posted on Jul 29th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Manuscript Becker III.8.51, owned by the Universit\u00e4tsbibliothek Leipzig, contains four fugues for organ or keyboard, from Friedrich Wilhelm Marpurg.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga in B Dur<\/a><\/h2>\n
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\n Posted on Jul 25th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Manuscript Becker III.8.51, owned by the Universit\u00e4tsbibliothek Leipzig, contains four fugues for organ or keyboard, from Friedrich Wilhelm Marpurg.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga in c moll<\/a><\/h2>\n
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\n Posted on Jul 27th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Manuscript Becker III.8.51, owned by the Universit\u00e4tsbibliothek Leipzig, contains four fugues for organ or keyboard, from Friedrich Wilhelm Marpurg.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga in D Dur \u00e0 3 voci<\/a><\/h2>\n
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\n Posted on Oct 30th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's Fugue in D major a 3 Voci, taken his \"Fughe e Capricci per clavicembalo o per l'organo\" is a bit more serious affair than the fugue in A\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga in d moll<\/a><\/h2>\n
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\n Posted on Aug 14th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Besides a composer, Friedrich Wilhelm Marpurg was a music theorist as well. One of his publications was \"Treatise on the fugue, designed according to\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Fuga sopra Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
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\n Posted on Jul 13th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Of Marpurg's didactical writings, the Abhandlung von der Fuge (1753\u20134) is a authoritative discussion of fugal practice in late Baroque music.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Gott des Himmels und der Erden<\/a><\/h2>\n
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\n Posted on Apr 16th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The next choral prelude by Marpurg's hand is the prelude to the choral \"Gott des Himmels and der Erden\" (in English also known as \"Good, who madest\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Herr ich habe missgehandelt<\/a><\/h2>\n
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\n Posted on Jul 7th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to the chorale \"Herr, ich habe misgehandelt\" is one of Marpurg's more ambitious compositions. The choral melody is played with the\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Jesu meine Freude<\/a><\/h2>\n
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\n Posted on Feb 24th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to \"Jsu meine Freude\" is one of the most beautiful pieces of music Marpurg wrote. Perhaps it is even the most beautiful one. The\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Komm o komm du Geist des Lebens<\/a><\/h2>\n
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\n Posted on Jul 21st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The last composition from the \"Zweiter Versuch in figurirten Chor\u00e4le und Fugen\", by Friedrich Wilhelm Marpurg, is a choral Trio, based on the melody\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Meinen Jesum lass ich nicht<\/a><\/h2>\n
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\n Posted on Feb 2nd, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Friedrich Wilhelm Marpurg (1718 \u2013 1795) was a German music critic, music theorist and composer. During his life he published two volumes of chorale\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Mir nach spricht Christus under Held<\/a><\/h2>\n
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\n Posted on Jul 19th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The second complete choral prelude from the \"Zweiter Versuch in figurirten Chor\u00e4le und Fugen\", by Friedrich Wilhelm Marpurg, is a prelude to the\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, O Ewigkeit, du Freuden Wort<\/a><\/h2>\n
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\n Posted on Feb 8th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The melody for this choral is the same melody as for the choral \"O Ewigkeit, du Donnerwort\". And indeed, both texts deal with the same subject,\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Preludio et Capriccio<\/a><\/h2>\n
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\n Posted on Aug 6th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale preludes by the hand of Friedrich WIlherlm Marpurg I published till now, were all from his two volumes of \"Versuch in figurierten\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Schm\u00fccke dich, o liebe Seele<\/a><\/h2>\n
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\n Posted on Jun 21st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n In his prelude to \"Schm\u00fccke dich, o liebe Seele\" Marpurg uses the same procedure as in het preludes to \"Was Gott thut das ist wohlgetan\", \"Von Gott\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
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\n Posted on Dec 28th, 2021 <\/span>\n <\/p>\n <\/div>\n

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\n Friedrich Wilhelm Marpurg (1718 \u2013 1795) was a German music critic, music theorist and composer. Little is known of Marpurg's early life. According\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Von Gott will ich nicht lassen<\/a><\/h2>\n
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\n Posted on May 6th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The next choral prelude by Marpurg's hand is the prelude to \"Von Gott will ich nicht lassen\". Marpurg creates a simple 3 part text, with the choral\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Wach auf mein Herz und singe<\/a><\/h2>\n
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\n Posted on Jul 9th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The Bayerische Staatsbibliothek in M\u00fcnchen owns two collections of choral preludes and fugues by Friedrich Wilhelm Marpurg. The compositions by\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Was Gott thut das ist wohlgetan<\/a><\/h2>\n
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\n Posted on May 28th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to the choral \"Was Gott thut das ist wohlgetan\" is in the same style as his prelude to the choral \"Von Gott will ich nicht lassen\".\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Was mein Gott will<\/a><\/h2>\n
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\n Posted on May 26th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to the chorale \"Was mein Gott will\" is again a case of two compositions rolled into one. The first is a bicinium, where the choral\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Wilhelm Marpurg, Wenn Christus seine Kirche sch\u00fctzt<\/a><\/h2>\n
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\n Posted on Mar 4th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Marpurg's prelude to \"Wenn Christus seine Kriche sch\u00fctzt\" has the choral melody in the pedals. It has a march-like rythm, a playing indication\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Wer nur den lieben Gott l\u00e4sst walten<\/a><\/h2>\n
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\n Posted on Jun 27th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The melody of \"Wer nur den lieben Gott l\u00e4sst walten\" is of itself already a bit chromatic. Marpurg enhances this aspect in his prelude based on this\u2026 <\/p>\n

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Friedrich Wilhelm Marpurg, Werde munter mein Gem\u00fcthe<\/a><\/h2>\n
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\n Posted on Jul 1st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The melody of \"Werde munter mein Gem\u00fcthe\" is the same as the melody of \"Freu dich sehr o meine Seele\". And Marpurg is not the first one who realises\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Views: 76<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10054","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-2Ca","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10054"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10054\/revisions"}],"predecessor-version":[{"id":10055,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10054\/revisions\/10055"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}