{"id":10859,"date":"2022-12-16T11:41:23","date_gmt":"2022-12-16T09:41:23","guid":{"rendered":"https:\/\/partitura.org\/?page_id=10859"},"modified":"2022-12-16T11:41:23","modified_gmt":"2022-12-16T09:41:23","slug":"anonymus-becker-ii-2-51","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/anonymus-becker-ii-2-51\/","title":{"rendered":"Anonymus, Becker II.2.51"},"content":{"rendered":"<div class=\"wp-cpl-sc-wrap wp-cpl-sc-theme-0\">\n        <div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantansia Septimi Toni ex G\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-10.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g\/\" title=\"Permalink to: Paul Siefert (?), Fantansia Septimi Toni ex G\">Paul Siefert (?), Fantansia Septimi Toni ex G<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Apr 13th, 2025 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            Like most of the fantasias from manuscript Becker II.2.51 the Fantasia Septimi Toni ex G is structurally divided into three sections or episodes.\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g-dur\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantansia Septimi Toni ex G Dur\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Anon-Fantasia-09.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g-dur\/\" title=\"Permalink to: Paul Siefert (?), Fantansia Septimi Toni ex G Dur\">Paul Siefert (?), Fantansia Septimi Toni ex G Dur<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Apr 21st, 2024 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The ninth Fantasia from manuscript Becker II 51, owned by the Leipziger Stadtbibliothek, is based on two themes or motives. Both are introduced in\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-septimi-toni-ex-g-dur\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-sexti-toni-ex-c\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantansia Sexti Toni ex C\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-08.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-sexti-toni-ex-c\/\" title=\"Permalink to: Paul Siefert (?), Fantansia Sexti Toni ex C\">Paul Siefert (?), Fantansia Sexti Toni ex C<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Aug 13th, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The eigth Fantasia from manuscript Becker II 51, owned by the Leipziger Stadtbibliothek, features again three sections, this time with three\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantansia-sexti-toni-ex-c\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-noni-toni-ex-a-la-mi-re\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/04\/Anon-Fantasia-13.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Noni Toni ex A La Mi Re\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-noni-toni-ex-a-la-mi-re\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Noni Toni ex A La Mi Re\">Paul Siefert (?), Fantasia Noni Toni ex A La Mi Re<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on May 9th, 2025 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The Fantasia noni Toni Ex A La Mi Re is the last of the 13 anonymous fantasia from manuscript Becker II.2.51. It took me a bit longer to finish this\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-noni-toni-ex-a-la-mi-re\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/04\/Anon-Fantasia-11.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Octavi Toni ex G\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Octavi Toni ex G\">Paul Siefert (?), Fantasia Octavi Toni ex G<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Apr 22nd, 2025 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The fantasia octavi Toni ex G is the eleventh fantasia from manuscript Becker II.2.51, owned by the Stadtbibliothek Leipzig. It features three\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/04\/Anon-Fantasia-12.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Octavi Toni ex G (2)\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g-2\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Octavi Toni ex G (2)\">Paul Siefert (?), Fantasia Octavi Toni ex G (2)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on May 3rd, 2025 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The second Fantasia octavi Toni ex G from manuscript Backer II.2.51 is structurally similar to it's predecessor in the manusript. Both feature three\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-octavi-toni-ex-g-2\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-primi-toni-ex-g-bemol-a-3\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia primi Toni ex G b\u00e9mol \u00e0 3 (Becker II.2.51)\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-01.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-primi-toni-ex-g-bemol-a-3\/\" title=\"Permalink to: Paul Siefert (?), Fantasia primi Toni ex G b\u00e9mol \u00e0 3 (Becker II.2.51)\">Paul Siefert (?), Fantasia primi Toni ex G b\u00e9mol \u00e0 3 (Becker II.2.51)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Dec 19th, 2022 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            A few years ago I published music composed by Georg Wilhelm Saxer (see here: Saxer, Georg Wilhelm). That music was taken from manuscript Becker\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-primi-toni-ex-g-bemol-a-3\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quarti-toni\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Quarti Toni ex E La Mi\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/07\/Anon-Fantasia-05.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quarti-toni\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Quarti Toni ex E La Mi\">Paul Siefert (?), Fantasia Quarti Toni ex E La Mi<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Jul 8th, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The 13 fantasias in manuscript Becker II 51, owned by the Leipziger Stadtbibliothek, are left without indication of a composer in the manuscript.\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quarti-toni\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Quinti Toni ex F bmol\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anonymus-Fantasia-6.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Quinti Toni ex F bmol\">Paul Siefert (?), Fantasia Quinti Toni ex F bmol<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Jul 20th, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The first fantasia quinti toni from manuscript Becker II 51 a single theme, though the composition is clearly divided into three sections. The theme\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia Quinti Toni ex F bmol (2)\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Anon-Fantasia-07.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni-2\/\" title=\"Permalink to: Paul Siefert (?), Fantasia Quinti Toni ex F bmol (2)\">Paul Siefert (?), Fantasia Quinti Toni ex F bmol (2)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Aug 1st, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The second Fantasia Quinti Toni ex F moll, from manuscript Becker II 51, owned by the Leipziger Stadtbibliothek, features three fugato-like sections.\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/paul-siefert-fantasia-quinti-toni-2\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-d-becker-ii-2-51\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia secundi Toni ex D (Becker II.2.51)\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-02.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-d-becker-ii-2-51\/\" title=\"Permalink to: Paul Siefert (?), Fantasia secundi Toni ex D (Becker II.2.51)\">Paul Siefert (?), Fantasia secundi Toni ex D (Becker II.2.51)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Dec 31st, 2022 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The second fantasia from manuscript Becker II.2.51 is written in the second church mode, centered around tonal centre D. It has no less then 4\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-d-becker-ii-2-51\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-g-bemol-becker-ii-2-51\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia secundi Toni ex G b\u00e9mol (Becker II.2.51)\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Anon-Fantasia-03.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-g-bemol-becker-ii-2-51\/\" title=\"Permalink to: Paul Siefert (?), Fantasia secundi Toni ex G b\u00e9mol (Becker II.2.51)\">Paul Siefert (?), Fantasia secundi Toni ex G b\u00e9mol (Becker II.2.51)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Jan 8th, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The third fantasia from manuscript Becker II.2.51 is again a Fantasia written in the second church mode, this time cetered around G. It is a bit\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-secundi-toni-ex-g-bemol-becker-ii-2-51\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-tertii-toni-ex-e-la-mi-becker-ii-2-51\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Paul Siefert (?), Fantasia tertii Toni ex E La Mi (Becker II.2.51)\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/01\/Anon-Fantasia-04.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-tertii-toni-ex-e-la-mi-becker-ii-2-51\/\" title=\"Permalink to: Paul Siefert (?), Fantasia tertii Toni ex E La Mi (Becker II.2.51)\">Paul Siefert (?), Fantasia tertii Toni ex E La Mi (Becker II.2.51)<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Jan 16th, 2023 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            The fourth fantasia from manuscript Becker II.2.51 is based on the third church mode, here centered around \"E La Mi\".  I am not sure what this\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/anonymus-fantasia-tertii-toni-ex-e-la-mi-becker-ii-2-51\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<\/div>\n\n<p>Views: 36<\/p>","protected":false},"excerpt":{"rendered":"<p>Views: 36<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10859","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-2P9","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10859"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10859\/revisions"}],"predecessor-version":[{"id":10860,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/10859\/revisions\/10860"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}