{"id":1241,"date":"2015-11-17T22:48:55","date_gmt":"2015-11-17T20:48:55","guid":{"rendered":"http:\/\/partitura.org\/?page_id=1241"},"modified":"2017-10-19T19:57:29","modified_gmt":"2017-10-19T17:57:29","slug":"kehl-johann-balthasar","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/kehl-johann-balthasar\/","title":{"rendered":"Kehl, Johann Balthasar"},"content":{"rendered":"
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Johann Balthasar Kehl, Sammlung einiger variirender Chor\u00e4le<\/a><\/h2>\n
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\n Posted on Oct 5th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Balthasar Kehl (1725 \u2013 1778) was a German organist, cellist and composer. Kehl's claim to fame are the chorale preludes he published during\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Ach bleib mit deiner Gnad (oder: Christus der ist mein Leben)<\/a><\/h2>\n
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\n Posted on Apr 2nd, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale prelude on \"Ach bleib mit deiner Gnad\" by Kehl looks a bit daunting at first. But the 64th notes are more like written out trills or\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
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\n Posted on Jan 25th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Another one of the melodious, deceptively simple preludes, Kehl seems to have had the patent on. I use another manual for the choral melody, but this\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Der lieben Sonnen Licht und Pracht<\/a><\/h2>\n
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\n Posted on Jun 22nd, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n The title of this choral suggest perhaps music with some brilliance. However, the music Kehl actually wrote is to my ears very modest. Therefore I\u2026 <\/p>\n

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Johann Balthasar Kehl, Ein feste Burg ist unser Gott<\/a><\/h2>\n
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\n Posted on Aug 8th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The first choral prelude from Kehl's first volume of choral preludes I had not encountered before in other sources, is a prelude to the choral \"Ein\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Erschienen ist der herrlich Tag<\/a><\/h2>\n
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\n Posted on Apr 25th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n One of the attractive bicinia Kehl seems to have had a patent on. The festive subject of the choral is a bit at odds with the dramatic e minor, yet\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Gelobet seist du Jesu Christ<\/a><\/h2>\n
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\n Posted on May 23rd, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n In this chorale prelude Kehl shows again his ability to create pieces that are unlike any other he wrote before. One can only admire the great\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Herr Jesu Christ du h\u00f6chstes Gut<\/a><\/h2>\n
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\n Posted on Apr 8th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Even in a simple bicinium texture, Kehl manages to create a highly attractive piece, that is not too difficult, yet rewarding for both player and\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Herzlich tut mich verlangen<\/a><\/h2>\n
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\n Posted on Jan 15th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n This melody is one of the most famous and most used of the Lutheran church. It is for example also used for \"Wie soll ich dich empfangen\", \"Ach Herr\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Heut triumphiret Gottes Sohn<\/a><\/h2>\n
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\n Posted on Mar 27th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The title says it all. Happy Easter.\r\n\r\nThe recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Jesu der du meine Seele<\/a><\/h2>\n
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\n Posted on Nov 29th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n In the prelude to the choral \"Jesu der du meine Seele\" Kehl specifically writes \"pedal\" near the bass notes at the beginning of the piece but not in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Jesu meine Freude<\/a><\/h2>\n
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\n Posted on Mar 9th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Kehl's prelude on \"Jesu meine Freude\" has the melody alternating in the left hand and the right hand. It is a relatively simple piece, but is does\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Jesus meine Zuversicht<\/a><\/h2>\n
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\n Posted on May 10th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n The introduction in this choral prelude is almost as long as the presentation of the choral melody that follows it. The piece shows Kehl at his best:\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Liebster Jesu wir sind hier<\/a><\/h2>\n
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\n Posted on Oct 24th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n The next prelude from Kehl's \"Erste Sammlung einiger variierter Chor\u00e4le\" is the prelude to \"Liebster Jesu wir sind hier\". Though a lot of Kehl's\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Lobt Gott ihr Christen all’zugleich<\/a><\/h2>\n
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\n Posted on Jun 15th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n The choral \"Lobt Gott ihr Chirsten all zugleich\" inspired Kehl to a compose piece that is more early classical than baroque. It is a festive piece\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Meinen Jesum lass ich nicht<\/a><\/h2>\n
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\n Posted on Nov 11th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Kehl's second full swing pedaliter chorale prelude, is the prelude to \"Meinen Jesum lass ich nicht\". And Kehl makes it the composition quite\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Nun Komm der Heiden Heiland<\/a><\/h2>\n
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\n Posted on Nov 20th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Balthasar Kehl (1724 - 1778) was a German organist, cellist and composer. He began his education at the Ratschule in Coburg in 1734 and in 1742 he\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Nun sich der Tag geendet hat<\/a><\/h2>\n
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\n Posted on Mar 22nd, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Kehl's prelude on \"Nun sich der Tag geendet hat\" is a simple yet beautiful piece. \r\n\r\nThe recording was done on the sample set of the Holzey organ of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Pr\u00e4ludium<\/a><\/h2>\n
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\n Posted on Sep 16th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Balthasar Kehl's (1725 \u2013 1778) claim to fame are the chorale preludes he published during his time in Erlangen, in four different volumes\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Pr\u00e4ludium a moll<\/a><\/h2>\n
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\n Posted on Aug 4th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Balthasar Kehl (1725 \u2013 1778) was a German organist, cellist and composer. Kehl\u2019s claim to fame are the chorale preludes he published\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Schm\u00fccke dich, o liebe Seele<\/a><\/h2>\n
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\n Posted on Jul 4th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n The last of the Kehl choral preludes. Not nearly as elaborate as the prelude by Bach on the same choral melody, but a nice soft flowing piece\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Seelenbrautigam Jesu<\/a><\/h2>\n
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\n Posted on Feb 3rd, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Another fine example of what Kehl was capable of. As is usual with Kehl this piece start with a somewhat unrelated intro. The intro sets the mood,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Sei Lob und Ehr dem h\u00f6chsten Gut<\/a><\/h2>\n
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\n Posted on Jun 9th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Yesterday I realized I still have to finish my series of choral preludes by Johann Balthasar Kehl. Only a few pieces left to go, and then it's time\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, So gehst du dann mein Jesu hin<\/a><\/h2>\n
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\n Posted on Feb 28th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Balthasar Kehl (1724 - 1778) was a German organist, cellist and composer. A few months ago I started a series with Kehl's choral preludes, but\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Straff mich nicht in deinen Zorn<\/a><\/h2>\n
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\n Posted on Mar 13th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale preludes of Kehl follow mostly the same basic pattern: a short introduction, the melody in the right hand addorned with grace notes, and\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
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\n Posted on Oct 1st, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n I have neglected Kehl somewhat these last months. And there quite a few pieces of him left to publish. So it's about time to post a new piece by\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Von Gott will ich nicht lassen<\/a><\/h2>\n
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\n Posted on Dec 11th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Is it coincidence that Kehl usedone of his most beautiful compositions as the last composition in his \"Erste Sammlung\"? Or was it the decision of a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Wach auf, mein Herz und Singe<\/a><\/h2>\n
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\n Posted on Nov 19th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n After the two pedaliter choral preludes, Kehls prelude to the choral \"Wach auf, mein Herz und singe\" is again a manualiter piece. Though Kehl does\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Balthasar Kehl, Was mein Gott will, das gescheh allzeit<\/a><\/h2>\n
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\n Posted on Nov 1st, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Though Kehl's music is mostly manualiter, with occasionally a rather lonely pedal note written in, sometimes he writes a full swing pedaliter piece.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Wer nur den lieben Gott l\u00e4sst walten<\/a><\/h2>\n
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\n Posted on Aug 12th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Kehl's prelude to \"Wer nur den lieben Gott l\u00e4sst walten\" is again a simple, yet effective piece. The introduction and the coda are written in a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Wie sch\u00f6n leuchtet der Morgenstern<\/a><\/h2>\n
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\n Posted on Mar 1st, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n After yesterdays sparkling prelude to \"Wie sch\u00f6n leuchtet der Morgenstern\", it's now the turn for a much more restrained version. Kehl was perhaps\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Balthasar Kehl, Wir glauben all an einen Gott<\/a><\/h2>\n
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\n Posted on Oct 16th, 2022 <\/span>\n <\/p>\n <\/div>\n

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\n Though Kehl's music may seem simple, it's not without it's merit. It does not require a lot of resources in terms of instrument size or technical\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 65<\/p>","protected":false},"excerpt":{"rendered":"

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