{"id":152,"date":"2015-02-22T21:00:19","date_gmt":"2015-02-22T20:00:19","guid":{"rendered":"http:\/\/partitura.org\/?page_id=152"},"modified":"2018-12-29T11:03:47","modified_gmt":"2018-12-29T09:03:47","slug":"tietz-philip","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/tietz-philip\/","title":{"rendered":"Tietz, Philipp"},"content":{"rendered":"<div class=\"wp-cpl-sc-wrap wp-cpl-sc-theme-0\">\n        <div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/philip-tietz-adagio\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Tietz_Adagio_preview.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Philip Tietz, Adagio\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Tietz_Adagio_preview.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Tietz_Adagio_preview.png?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Tietz_Adagio_preview.png?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Tietz_Adagio_preview.png?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/philip-tietz-adagio\/\" title=\"Permalink to: Philip Tietz, Adagio\">Philip Tietz, Adagio<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Apr 10th, 2015 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            Again a charming little piece of an allmost unknown composer. Though the piece is small, the composer asks for three manuals. A nice echo play in\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/philip-tietz-adagio\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-andante-sostenuto\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_andante_sostenuto_preview.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Philipp Tietz, Andante Sostenuto\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_andante_sostenuto_preview.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_andante_sostenuto_preview.png?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_andante_sostenuto_preview.png?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_andante_sostenuto_preview.png?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-andante-sostenuto\/\" title=\"Permalink to: Philipp Tietz, Andante Sostenuto\">Philipp Tietz, Andante Sostenuto<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Feb 22nd, 2015 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            Philipp Tietz (1816 -1878) was organist in Hannover. There must be more to him than just this small fact, but I can't find anything. Nevertheless,\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-andante-sostenuto\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/philip-tietz-fantasie-opus-38\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/03\/tietz_fantasie_preview.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Philipp Tietz, Fantasie opus 38\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/03\/tietz_fantasie_preview.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/03\/tietz_fantasie_preview.png?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/03\/tietz_fantasie_preview.png?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/03\/tietz_fantasie_preview.png?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/philip-tietz-fantasie-opus-38\/\" title=\"Permalink to: Philipp Tietz, Fantasie opus 38\">Philipp Tietz, Fantasie opus 38<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Mar 16th, 2015 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            A lively piece that could serve well as a sortie after service.\r\n\r\nThe recording was done on the sample set of the Van Dam organ (1832) in Tholen by\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/philip-tietz-fantasie-opus-38\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<div class=\"wp-cpl-sc-post\">\n        <a class=\"wp-cpl-sc-thumba\" href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-pastorale\/\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_pastorale_preview.png?resize=150%2C150&amp;ssl=1\" class=\"wp-cpl-sc-thumb wp-post-image\" alt=\"\" title=\"Permalink to: Philipp Tietz, Pastorale\" srcset=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_pastorale_preview.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_pastorale_preview.png?resize=50%2C50&amp;ssl=1 50w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_pastorale_preview.png?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/tietz_pastorale_preview.png?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>        <h2><a href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-pastorale\/\" title=\"Permalink to: Philipp Tietz, Pastorale\">Philipp Tietz, Pastorale<\/a><\/h2>\n        <div class=\"wp-cpl-sc-meta\">\n        <p>\n                        <span class=\"wp-cpl-sc-date\">Posted on Feb 26th, 2015 <\/span>\n                                            <\/p>\n    <\/div>\n            <div class=\"wp-cpl-sc-entry\">\n        <p>\n            A soft flowing piece by a virtually unknown composer.\r\n\r\nThe recording was done on the sample set of the Van Dam organ (1832) in Tholen by Voxus\u2026        <\/p>\n                <p class=\"wp-cpl-sc-readmore\">\n            <a href=\"https:\/\/partitura.org\/index.php\/tietz-philipp-pastorale\/\">Continue Reading<\/a>\n        <\/p>\n            <\/div>\n        <div class=\"clear\"><\/div>\n<\/div>\n<\/div>\n\n<p>Views: 49<\/p>","protected":false},"excerpt":{"rendered":"<p>Views: 49<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-152","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-2s","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=152"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/152\/revisions"}],"predecessor-version":[{"id":7076,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/152\/revisions\/7076"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}