{"id":1601,"date":"2016-02-26T22:15:27","date_gmt":"2016-02-26T20:15:27","guid":{"rendered":"http:\/\/partitura.org\/?page_id=1601"},"modified":"2017-10-20T17:49:36","modified_gmt":"2017-10-20T15:49:36","slug":"schneider-johann","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/schneider-johann\/","title":{"rendered":"Schneider, Johann"},"content":{"rendered":"
\n
\n \"\"<\/a>

Johann Schneider, Organ works from Mus. Ms. 30377<\/a><\/h2>\n
\n

\n Posted on Apr 17th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Schneider (1702 - 1788) was a German organist, violinist and composer. Around 1720 he became a keyboard pupil of J.S. Bach. Besides keyboard\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n <\/div>\n
\n \"\"<\/a>

Johann Schneider, Allabreve<\/a><\/h2>\n
\n

\n Posted on May 25th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n A short piece by Schneider, called Allabreve, that is actually a fugue.\r\n\r\nThe recording was done on the sample set of the Silbermann organ of the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Pr\u00e4ludium und Fuga, G dur<\/a><\/h2>\n
\n

\n Posted on Mar 31st, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude & Fugues by Johann Schneider. In the manuscript they are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Pr\u00e4ludium und Fuge, D dur<\/a><\/h2>\n
\n

\n Posted on Apr 23rd, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude & Fugues by Johann Schneider. In the manuscript they are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Pr\u00e4ludium und Fuge, G Dur<\/a><\/h2>\n
\n

\n Posted on Apr 27th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude & Fugues by Johann Schneider. In the manuscript they are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Pr\u00e4ludium und Fuge, g moll<\/a><\/h2>\n
\n

\n Posted on Sep 9th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude & Fugues by Johann Schneider. In the manuscript they are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Trio “Mein Gott das Herze bring ich dir”<\/a><\/h2>\n
\n

\n Posted on Feb 26th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Schneider (1702 - 1788) was a German organist, violinist and composer. He was born in Oberlauter in Coburg as son of a miller. His musical\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Trio a moll<\/a><\/h2>\n
\n

\n Posted on Mar 16th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Another piece that makes me regret there is so litlle of Schneider's music left. This Trio in a minor follows the pattern often used by Krebs as\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Vater unser im Himmelreich<\/a><\/h2>\n
\n

\n Posted on Mar 5th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Of the few surviving choral bound works of Johann Schneider, two are based on the choral \"Vater unser im Himmelreicht\". They are both finely crafted\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Schneider, Vater unser im Himmelreich (2)<\/a><\/h2>\n
\n

\n Posted on Mar 5th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n The second choral prelude by Johann Schneider on the choral \"Vater unser im Himmelreich\" was written pro organo pleno. It has the choral melody in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 219<\/p>","protected":false},"excerpt":{"rendered":"

Views: 219<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1601","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-pP","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/1601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1601"}],"version-history":[{"count":0,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/1601\/revisions"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}