{"id":221,"date":"2015-03-19T21:24:41","date_gmt":"2015-03-19T20:24:41","guid":{"rendered":"http:\/\/partitura.org\/?page_id=221"},"modified":"2020-10-24T10:41:38","modified_gmt":"2020-10-24T08:41:38","slug":"buttstett-johann-heinrich","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/buttstett-johann-heinrich\/","title":{"rendered":"Buttstett, Johann Heinrich"},"content":{"rendered":"
\n
\n \"\"<\/a>

Neumeister Chor\u00e4le, not by J.S. Bach, Part II<\/a><\/h2>\n
\n

\n Posted on Jun 24th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Gottfried Neumeister (1757 - 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn't for the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n <\/div>\n
\n \"\"<\/a>

Anonymus (Johann Heinrich Buttstett?), Nun freut euch, lieben Christen gemein<\/a><\/h2>\n
\n

\n Posted on Dec 9th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n The Frankenberg manuscript, held by the Nederlands Muziekinstituut, is a rich source of choral preludes from both named and unnamed composers. This\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Anonymus (Johann Heinrich Buttstett?), Wie sch\u00f6n leuchtet der Morgenstern<\/a><\/h2>\n
\n

\n Posted on Dec 11th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n The Frankenberg manuscript does not attribute a composer to this chorale prelude. It is tempting to attribute this piece to Johann Heinrich\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Ach Gott vom Himmel sieh darein<\/a><\/h2>\n
\n

\n Posted on Sep 30th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n Neumeister ascribes the choral prelude to \"Ach Gott vom Himmel, sieh darein\" to Johann Michael Bach. In two other manuscript sources (both the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
\n

\n Posted on Jun 11th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The so-called Frankenberger Manuscript is one of the most precious items in the collection of the Netherlands Music Institute. It contains 196 organ\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
\n

\n Posted on Jun 12th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The second chorale prelude by Buttstett in the Frankenberger Manuscript on 'Allein Gott in der H\u00f6h sei Ehr' starts almost identical as the one I\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
\n

\n Posted on Jun 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The third chorale prelude by Buttstett in the Frankenberger Manuscript on \"Allein Gott in der H\u00f6h sei Ehr\" is my favorite of the four. It is\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Allein Gott in der H\u00f6h sei Ehr<\/a><\/h2>\n
\n

\n Posted on Jun 15th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The fourth chorale prelude by Buttstett in the Frankenberger Manuscript on \"Allein Gott in der H\u00f6h sei Ehr\" is for manuals only.\r\n\r\nThe recording\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Christ ist erstanden<\/a><\/h2>\n
\n

\n Posted on Aug 12th, 2025 <\/span>\n <\/p>\n <\/div>\n

\n

\n K\u00f6rner's \"Der angehende Organist\" (Leipzig : Siegel , 1895) is a collection of short and easy compositions for organ, meant for use in service \"f\u00fcr\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Christ lag in Todesbanden<\/a><\/h2>\n
\n

\n Posted on Mar 19th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Heinrich Buttstett was born in 1666 in Bindersleben and died in Erfurt in 1727. He was a pupil of Johann Pachelbel. In 1691 he became organist\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Christ lag in Todesbanden<\/a><\/h2>\n
\n

\n Posted on Mar 28th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This chorale prelude is the second by Buttstett on the chorale Christ lag in Todesbanden in the manuscript Mus.ms. 22541 III, owned by the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Der Tag der ist so Freudenreich<\/a><\/h2>\n
\n

\n Posted on Nov 4th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Buttstett's prelude to this chorale paints the joy of Christmas with a lively rythm and fast scale passages. \r\n\r\nThe recording was done on the sample\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Es stehn f\u00fcr Gottes Throne<\/a><\/h2>\n
\n

\n Posted on Mar 24th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Buttstett's prelude tot \"Es stehn f\u00fcr Gottes Throne\" is a three part piece, with the choral melody in the soprano voice. Intruiging is that in the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Gelobet seist du Jesu Christ<\/a><\/h2>\n
\n

\n Posted on Dec 25th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n A festive prelude for a festive day. Played with with plenum of first two manuals, and the powerful Bombarde 16' in the pedals.\r\n\r\nThe recording was\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Gottes Sohn ist kommen<\/a><\/h2>\n
\n

\n Posted on Nov 29th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Mus.Ms. 22541 II contains three chorale preludes by Buttstett on \"Gottes Sohn ist kommen\". The first of the three has the chorale melody in the bass,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Gottes Sohn ist kommen (2)<\/a><\/h2>\n
\n

\n Posted on Dec 22nd, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n A small manualiter prelude, played in a small registration.\r\n\r\nThe recording was done the sampleset, made by Sonus Paradis, of the Transept organ in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Gottes Sohn ist kommen (3)<\/a><\/h2>\n
\n

\n Posted on Dec 18th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n One of the three preludes by Buttstett on \"Gottes Sohn ist kkommen\". It has the melody in the bass.\r\n\r\nThe recording was done on the new sample set\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, In dulci jubilo<\/a><\/h2>\n
\n

\n Posted on Sep 26th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n The style of this work is very similar to one of the preludes Buttstett wrote for \"Gottes Sohn ist kommen\". The choral melody is in the bass, the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Jesus Christus unser Heiland<\/a><\/h2>\n
\n

\n Posted on Apr 7th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This choral prelude is transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek Berlin. The dorian sixth in the first bar is\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Nun freut euch, lieben Christen gemein<\/a><\/h2>\n
\n

\n Posted on Dec 10th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n After yesterday's prelude that was possibly written by Johann Heinrich Buttstett, follows today a prelude that was definitely written by Buttstett.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Nun komm der Heiden Heiland<\/a><\/h2>\n
\n

\n Posted on Nov 7th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n A simple yet beautiful manualiter prelude of this Lutheran chorale. It is set up as a fugue on the first line of the melody of the chorale. The theme\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Nun komm der Heiden Heiland<\/a><\/h2>\n
\n

\n Posted on Oct 8th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n This choral prelude by Buttstett presents th e choral melody twice. The first time in long notes in the spoprano voice. The second time again in the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
\n

\n Posted on Nov 14th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n A small prelude by Buttstett, but a fine example of how to elaborate a simple chorale harmonisation into a chorale prelude. The left hand plays the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Heinrich Buttstett, Vom Himmel kam der Engelschar<\/a><\/h2>\n
\n

\n Posted on Dec 2nd, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Buttstett wrote a fine prelude to \"Vom Himmel kam der Engelschar\". It start with a solo line that goes up in rapid notes and then descends in a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 98<\/p>","protected":false},"excerpt":{"rendered":"

Views: 98<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-221","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-3z","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/221\/revisions"}],"predecessor-version":[{"id":9033,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/221\/revisions\/9033"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}