{"id":2231,"date":"2016-06-13T21:42:04","date_gmt":"2016-06-13T19:42:04","guid":{"rendered":"http:\/\/partitura.org\/?page_id=2231"},"modified":"2016-06-13T21:42:04","modified_gmt":"2016-06-13T19:42:04","slug":"pachelbel-johan","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/pachelbel-johan\/","title":{"rendered":"Pachelbel, Johan"},"content":{"rendered":"
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Anonymus (Johann Pachelbel?), Christ lag in Todesbanden<\/a><\/h2>\n
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\n Posted on Feb 4th, 2018 <\/span>\n <\/p>\n <\/div>\n

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\n Five of the pieces in the Neumeister manuscript are without a named composer. Based on stylistical grounds and on references to other sources two of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Anonymus (Johann Pachelbel?), Was mein Gott will, das gescheh allzeit<\/a><\/h2>\n
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\n Posted on Sep 9th, 2018 <\/span>\n <\/p>\n <\/div>\n

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\n Five of the pieces in the Neumeister manuscript are without a named composer. Based on stylistical grounds and on references to other sources two of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Choral preludes from Mus. Ms. 30439<\/a><\/h2>\n
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\n Posted on Sep 28th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Manuscript Mus. Ms. 30439 owned by the Staatsbibliothek zu Berlin is an interesting manuscript. It contains five different fascicles, some reasonably\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Michael Bach, Nun lasst uns Gott dem Herren<\/a><\/h2>\n
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\n Posted on Jun 13th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n (Update, 6 june 2018: Based on the Neumeister manuscript, this piece is more likely to be composed by Johann Michael Bach than by Johann Pachelbel.\u2026 <\/p>\n

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Johann Pachelbel, Dies sind die heilgen zehn Gebot<\/a><\/h2>\n
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\n Posted on Apr 26th, 2021 <\/span>\n <\/p>\n <\/div>\n

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\n Pachelbel's prelude to \"Dies sind die heilgen zehn gebot\" is also a fugue on the first phrase of the choral melody. It strikes me as such a powerful\u2026 <\/p>\n

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Johann Pachelbel, Durch Adams Fall ist ganz verderbt<\/a><\/h2>\n
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\n Posted on Jun 27th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The 11th piece from the second fascicle of manuscript Mus Ms 30439 is in other sources attributed to Pachelbel. But the version in this manuscript\u2026 <\/p>\n

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Johann Pachelbel, Gelobet seist du Jesu Christ<\/a><\/h2>\n
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\n Posted on Jan 11th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n A little left over from the Christmas period. I forgot to post this one three weeks ago. I could wait till the end of this year, but chances are I'd\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Gott Vater der du deine Sohn<\/a><\/h2>\n
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\n Posted on Jul 11th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The last two pieces of the second fascicle of Mus Ms 30439 were written by Johann Pachelbel and Johan Michael Bach. That makes the total of pieces\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Herr Christ der einig Gottes Sohn<\/a><\/h2>\n
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\n Posted on Jun 26th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The choral prelude on \"Herr Christ, der einig Gottes Sohn\" is in other sources attributed to Pachelbel. The version in manuscript Mus Ms 40349\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Herr Christ, der einig Gottes Sohn<\/a><\/h2>\n
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\n Posted on Dec 6th, 2018 <\/span>\n <\/p>\n <\/div>\n

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\n Pachelbel's prelude to \"Herr Christ, der einig Gottes Sohn\" has the choral melody in the bass. The upper two voices play a free, fast moving\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Nun komm der Heiden Heiland<\/a><\/h2>\n
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\n Posted on Nov 1st, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n A prelude by Pachelbel in the same style as employed by Johann Michael Bach in the prelude I uploaded recently. Although there are differences: the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
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\n Posted on Nov 26th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Pachelbel's prelude to \"Vom Himmel hoch da komm ich her\" has the choral melody in the bass. The hands accompany the melody in a two part texture. The\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Pachelbel, Wie sch\u00f6n leuchtet der Morgenstern<\/a><\/h2>\n
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\n Posted on Mar 29th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Pachelbel may or may not have been the teacher of Andreas Armsdorf. Fact this that both composed a chorale prelude on the melody of \"Wie\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Sebastian Bach (?), O Mensch, bewein dein S\u00fcnde gross, BWV Anh. II 61<\/a><\/h2>\n
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\n Posted on Oct 26th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The Anhang II of Schmieder's catalogue of Bach's composition contains the spurious works. Number 61 of these is a chorale prelude on the melody of \"O\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Views: 119<\/p>","protected":false},"excerpt":{"rendered":"

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