{"id":241,"date":"2015-03-25T09:27:17","date_gmt":"2015-03-25T08:27:17","guid":{"rendered":"http:\/\/partitura.org\/?page_id=241"},"modified":"2018-12-29T10:46:47","modified_gmt":"2018-12-29T08:46:47","slug":"bach-johann-bernhard","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/bach-johann-bernhard\/","title":{"rendered":"Bach, Johann Bernhard"},"content":{"rendered":"
\n
\n \"\"<\/a>

Johann Bernhard Bach, Christ lag in Todesbanden<\/a><\/h2>\n
\n

\n Posted on Mar 25th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Bernhard Bach (1676 - 1749) was second cousin to Johann Sebastian Bach. He was organist in Eisenach, and there he worked a few years together\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Helft mir Gottes G\u00fcte preisen<\/a><\/h2>\n
\n

\n Posted on Mar 10th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Writing a good and attractive bicinium is perhaps one of the most difficult tasks in writing music for the organ. Playing a bicinium is definitely\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Jesus, nichts als Jesus<\/a><\/h2>\n
\n

\n Posted on Dec 8th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Bernhard Bach wrote a nice bicinium on the melody of \"Jesus, nichts als Jesus\". In the left hand part Bach comes surprisingly close to the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Nun freut euch lieben Christen gemein<\/a><\/h2>\n
\n

\n Posted on Nov 6th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Composing a bicinium is one of the most difficult compositorial tasks there is. When you first see the score of a bicinium it does not seem very\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
\n

\n Posted on Sep 12th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Bernhard Bach (1676 - 1749) was second cousin to Johann Sebastian Bach. Not much of his works survive, but the few works that did survive are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Wir glauben all an einen Gott<\/a><\/h2>\n
\n

\n Posted on Jun 28th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The Frankenberger Manuscript contains three preludes on \"Wir glauben all an einen Gott\" by Johann Bernhard Bach (1676 - 1749). I could not find a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Wir glauben all’ an einen Gott (2)<\/a><\/h2>\n
\n

\n Posted on Jul 6th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The second prelude on \"Wir glauben all an einen Gott\" found in the Frankenberger Manuscript. \r\n\r\nThe recording was done on the sample set of the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Bernhard Bach, Wir glauben all’ an einen Gott (3)<\/a><\/h2>\n
\n

\n Posted on Jul 14th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The third prelude by Johann Bernhard Bach on \"Wir glauben all' an einen Gott\", found in the Frankenberg manuscript.\r\n\r\nThe recording was done with\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 76<\/p>","protected":false},"excerpt":{"rendered":"

Views: 76<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-241","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-3T","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/241\/revisions"}],"predecessor-version":[{"id":7062,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/241\/revisions\/7062"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}