{"id":540,"date":"2015-05-01T19:15:28","date_gmt":"2015-05-01T18:15:28","guid":{"rendered":"http:\/\/partitura.org\/?page_id=540"},"modified":"2018-12-29T10:57:53","modified_gmt":"2018-12-29T08:57:53","slug":"oley-johann-christoph","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/oley-johann-christoph\/","title":{"rendered":"Oley, Johann Christoph"},"content":{"rendered":"
\n
\n \"\"<\/a>

Johann Christoph Oley, Variierte Chor\u00e4le<\/a><\/h2>\n
\n

\n Posted on May 14th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Christoph Oley (1738 - 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the church\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n <\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Ach was soll ich S\u00fcnder machen<\/a><\/h2>\n
\n

\n Posted on Oct 1st, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This choral prelude is the first of two preludes on this melody by Oley, found in Ms 30190. It is subtitled \"2 Clav. et Ped\", but I think there is no\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Ach was soll ich S\u00fcnder machen (2)<\/a><\/h2>\n
\n

\n Posted on Oct 15th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This choral prelude is the second of two preludes on this melody by Oley, found in Ms 30190. It is for full organ and contains some tricky trills in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Ach was soll ich S\u00fcnder machen (3)<\/a><\/h2>\n
\n

\n Posted on Jul 30th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n This prelude to the chorale \"Ach was soll ich S\u00fcnder machen\" is the third one Oley wrote based on this melody. The first two\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Auf auf mein Herz, mit Freude<\/a><\/h2>\n
\n

\n Posted on Jun 16th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains two preludes from Oley on \"Auf auf mein Herz, mit Freude\". They're both\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Auf auf mein Herz, mit Freude<\/a><\/h2>\n
\n

\n Posted on Jun 16th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu Berlin contains two preludes from Oley on \"Auf auf mein Herz, mit Freude\". They're both\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Aus tiefer Noth ruf ich zu dir<\/a><\/h2>\n
\n

\n Posted on Jul 6th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the choral \"Aus tiefer Noth, ruf ich zu dir\" features the chorale melody in the tenor voice. The other voices play an accompaniment\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Christus der ist mein Leben (two preludes)<\/a><\/h2>\n
\n

\n Posted on Jul 10th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley wrote two short preludes to the chorale \"Christus der ist mein Leben\". They are too short to publish seperately, so here they are together. The\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Danket dem Herren<\/a><\/h2>\n
\n

\n Posted on Jul 26th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the chorale \"Danket dem Herren\" is a densely written manualiter piece with the chorale melody in a canon in the fourth. Oley really\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Der Tag ist hin, mein Jesu bei mir bleiben<\/a><\/h2>\n
\n

\n Posted on Aug 3rd, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the chorale \"Der Tag ist hin, mein Jesu bei mir bleiben\" is to my ears ons of the most beautiful preludes Oley wrote. The pedal\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Ermuntre dich mein schwacher Geist<\/a><\/h2>\n
\n

\n Posted on Aug 29th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the chorale \"Ermuntre dich mein schwacher Geist\" is the last one chorale prelude taken from manuscript Ec 266.1.2. I kept this one\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Freu dich sehr o meine Seele<\/a><\/h2>\n
\n

\n Posted on Jun 14th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Freu dich sehr o meine Seele\" is the third chorale prelude from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Freu dich sehr, O meine Seele<\/a><\/h2>\n
\n

\n Posted on May 1st, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Christoph Oley (1738 - 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the church\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Herr Jesu Christ du h\u00f6chstes Gut<\/a><\/h2>\n
\n

\n Posted on Jul 18th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Ec 266.1.2, held by the Universit\u00e4ts- und Landesbibliothek, Bonn, is the source of a few more choral preludes by Johann Christoph Oley\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Herzliebster Jesu was hast du verbrochen?<\/a><\/h2>\n
\n

\n Posted on Jun 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Herzliebster Jesu, was hast du verbrochen?\" was transcribed from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Hier legt mein Sinn sich vor dir nieder<\/a><\/h2>\n
\n

\n Posted on Oct 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n A Trio like chorale prelude. The melody is played in both hands seperately, and then a third time unisono.\r\n\r\nThe recording was done the sampleset,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Ich singe dir mit Herz und Mund<\/a><\/h2>\n
\n

\n Posted on Sep 12th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n \"Ich singe dir mit Herz und Mund\" is the 12th choralprelude by Oley, published on this site and transcribed from Mus.ms 30190. The manuscript\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Jesu meine Zuversicht<\/a><\/h2>\n
\n

\n Posted on Sep 15th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Jesu meine Zuversicht\" is a lively piece, in line with the meaning of the text. \r\n\r\nThe recording was done the sampleset,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Mach’s mit mir, Gott, nach deiner G\u00fcte<\/a><\/h2>\n
\n

\n Posted on Jun 11th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Mach's mit mir, nach deiner G\u00fcte\" was transcribed from Manuscript Mus.ms. 30190 owned by the Staatsbibliothek zu\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Meine Hoffnung stehet feste<\/a><\/h2>\n
\n

\n Posted on Jun 24th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The recording was done the sampleset, made by Sonus Paradis, of the Transept organ in the Laurenskerk, Rotterdam.\r\n\r\nScore\r\nOley, Meine Hoffnung\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Nun danket alle Gott<\/a><\/h2>\n
\n

\n Posted on Jul 7th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This chorale prelude on \"Nun danket alle Gott\" is for manuals only.\r\n\r\nThe recording was done the sampleset, made by Sonus Paradis, of the Transept\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Nun freut euch lieben Christen g’mein<\/a><\/h2>\n
\n

\n Posted on Jun 24th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The idea of this chorale prelude is somewhat reminiscent of \u201cIn dir ist Freude\u201d from the Orgelb\u00fcchlein: a motif in the pedal that keeps\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Nun lob mein Seel den Herrn<\/a><\/h2>\n
\n

\n Posted on Oct 28th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n A manualiter piece, a little longer than most of the other chorale preludes by Oley.\r\n\r\nThe recording was done with the sampleset, made by Sonus\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Nun sich der Tag geendet hat<\/a><\/h2>\n
\n

\n Posted on Aug 15th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's fondness of canons sometimes leads to beautifull compositions, but every so often the result is stiff or just plain boring. An example of the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, O Gott, du frommer Gott<\/a><\/h2>\n
\n

\n Posted on Sep 7th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This choral prelude is based on the same melody that Bach uses for his partita BWV 767. It is a slow flowing embellishment of the choral melody. Near\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, O Jesu du mein Br\u00e4utigam<\/a><\/h2>\n
\n

\n Posted on Jul 22nd, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n The choral \"O jesu du mein Br\u00e4utigam\" has the same melody as the choral \"Herr Jesu Christ, meins Lebens Licht\". Oley writes a manualiter piece with\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, O Traurigkeit, O Herzeleid<\/a><\/h2>\n
\n

\n Posted on Jul 2nd, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n In 2015 and 2016 I published over 20 chorale preludes composed by Johann Christoph Oley (1738 - 1789) and created an edition that contained them all\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, O Welt sie hier dein leben<\/a><\/h2>\n
\n

\n Posted on Nov 9th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The last piece from manuscript Mus.ms. 30190 is a prelude on \"O Welt, sie hier dein Leben\". It's a four voice piece, with the cantus firmus in the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Was Gott tut das ist wohlgetan<\/a><\/h2>\n
\n

\n Posted on Jun 7th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Christoph Oley (1738 \u2013 1789) was a German organist and composer. In 1755 he became organist of the church in Bernburg, but moved to the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Was mein Gott will, das g’scheht allzeit<\/a><\/h2>\n
\n

\n Posted on Sep 26th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This chorale prelude on \"Was mein Gott will, das g'scheh allzeit\" has the choral melody in the pedal part.\r\n\r\nThe recording was done the sampleset,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wenn meine S\u00fcnd mich kr\u00e4nken<\/a><\/h2>\n
\n

\n Posted on Aug 19th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Some of Oley's chorale preludes are a bit more difficult to play than most others. The prelude to the chorale \"Wenn meine S\u00fcnd mich kr\u00e4nken\" is one\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Werde munter mein Gem\u00fcte<\/a><\/h2>\n
\n

\n Posted on Oct 22nd, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n In the manuscript this choral prelude has the indication \"manualiter\". It is an unusual piece, in that it doesn't sound as organ music at all. It\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Werde munter mein Gem\u00fcte (2)<\/a><\/h2>\n
\n

\n Posted on Oct 30th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This short prelude by Oley on \"Werde munter mein Gem\u00fcte\" shows his fondness of strict canon. \r\n\r\nThe recording was done with the sampleset, made by\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wie gross ist des Allm\u00e4cht’gen G\u00fcte<\/a><\/h2>\n
\n

\n Posted on Aug 23rd, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n A chorale prelude to \"Wie gross ist des Allm\u00e4cht'gen G\u00fcte\" is not something you come often across. And there appear to be several melodies in use\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wie sch\u00f6n leuchtet der Morgenstern<\/a><\/h2>\n
\n

\n Posted on Jun 27th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n This chorale prelude on \"Wie sch\u00f6n leuchtet der Morgenstern\" is for two manuals and pedal. Oley made a sparkling piece, in reference to the title of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wie soll ich dich empfangen?<\/a><\/h2>\n
\n

\n Posted on Sep 18th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Wie soll ich dich empfangen?\" starts promising, but is over before you know it. It's still a nice piece, but I think Oley\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wir Christenleut<\/a><\/h2>\n
\n

\n Posted on Sep 21st, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's choral prelude on \"Wir Christenleut\" is a nice piece in itself. But it seems to me more melancholy than the text of the choral would suggest. \u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wir Christenleut (2)<\/a><\/h2>\n
\n

\n Posted on Aug 7th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n This is the second chorale prelude by Oley to the melody of \"Wir Christenleut\" that I publish. The first can be found here:\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wo Gott der Herr nicht bei uns h\u00e4llt<\/a><\/h2>\n
\n

\n Posted on Aug 11th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the chorale \"Wo Gott der Herr nicht bei uns h\u00e4lt\" is a short manualiter piece in f minor. Oley has the melody cleverly hidden in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Johann Christoph Oley, Wunderbarer K\u00f6nig<\/a><\/h2>\n
\n

\n Posted on Jul 14th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n Oley's prelude to the choral \"Wunderbarer K\u00f6nig\" is written for organ and oboe. In real life it would be difficult to play this composition as one\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Josef Ferdinand Norbert Seger, Pr\u00e6lude, B Dur (L 12)<\/a><\/h2>\n
\n

\n Posted on Jul 16th, 2023 <\/span>\n <\/p>\n <\/div>\n

\n

\n The next two preludes from manuscript Becker III.8.63, held by the St\u00e4dtische Bibliotheken Leipzig, share the same tonality, b flat major. The first\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 61<\/p>","protected":false},"excerpt":{"rendered":"

Views: 61<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-540","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-8I","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=540"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/540\/revisions"}],"predecessor-version":[{"id":7071,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/540\/revisions\/7071"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}