{"id":618,"date":"2015-05-08T18:54:31","date_gmt":"2015-05-08T17:54:31","guid":{"rendered":"http:\/\/partitura.org\/?page_id=618"},"modified":"2018-12-29T10:54:28","modified_gmt":"2018-12-29T08:54:28","slug":"kirnberger-johann-philipp","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/kirnberger-johann-philipp\/","title":{"rendered":"Kirnberger, Johann Philipp"},"content":{"rendered":"
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Johann Philipp Kirnberger, Variierte Chor\u00e4le<\/a><\/h2>\n
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\n Posted on Feb 12th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Philipp Kirnberger (1721 \u2013 1783) was a musician, composer and music theorist. In 1758 obtained the major position of his life, music\u2026 <\/p>\n

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Johann Philipp Kirnberger, Allein Gott in der H\u00f6h’ sei Ehr.<\/a><\/h2>\n
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\n Posted on May 16th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Several works for organ of Kirnberger's hand survive in print and manuscript. The chorale prelude \"Allein Gott in der H\u00f6h si Ehr\" one of them. It is\u2026 <\/p>\n

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Johann Philipp Kirnberger, Eins ist Noth<\/a><\/h2>\n
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\n Posted on Apr 28th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n An interesting feature of the melody of the chorale \"Eins ist Noth\" is its change from binary rythm to ternary rythm. Kirnberger made an elegant\u2026 <\/p>\n

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Johann Philipp Kirnberger, Es ist das Heil uns kommen her<\/a><\/h2>\n
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\n Posted on Apr 8th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The prelude on \"Es ist das Heil uns kommen her\" is a bicinium with the choral melody in long notes in the right hand and an elaborately worked out\u2026 <\/p>\n

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Johann Philipp Kirnberger, Gelobet seist du Jesu Christ<\/a><\/h2>\n
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\n Posted on Apr 15th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The first chorale prelude in manuscript Am. B 396, owned by the Staatsbibliothek in Berlin, is a three part manualiter prelude on the melody of\u2026 <\/p>\n

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Johann Philipp Kirnberger, Herr Jesu Christ, dich zu uns wend<\/a><\/h2>\n
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\n Posted on May 8th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Philipp Kirnberger (1721 \u2013 1783) was a musician, composer and music theorist. Possibly, though not verified, he was a pupil of Johann\u2026 <\/p>\n

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Johann Philipp Kirnberger, Herzlich tut mich verlangen<\/a><\/h2>\n
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\n Posted on Jul 10th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale prelude \"Herzlich tut mich verlangen\" is from an old edition by Johann Christoph K\u00fchnau.\r\n\r\n[Update, 12-03-2016] Manuscript Am. B.396,\u2026 <\/p>\n

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Johann Philipp Kirnberger, Ich bin ja Herr in deiner Macht<\/a><\/h2>\n
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\n Posted on May 21st, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Interesting in the prelude on \"Ich bin ja Herr in deiner Macht\" is that the piece is written in A major and touches on f sharp minor and c sharp\u2026 <\/p>\n

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Johann Philipp Kirnberger, Jesus meine Zuversicht<\/a><\/h2>\n
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\n Posted on Mar 11th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale preludes by Kirnberger, contained in Manuscript Am. 386, owned by the Staatsbibliothek Berlin vary greatly in scope and texture. They\u2026 <\/p>\n

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Johann Philipp Kirnberger, Komm o komm, du Geist des Lebens<\/a><\/h2>\n
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\n Posted on Apr 21st, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Michael David Samuel Gattermann (1748 - 1829) was Kantor in the St. Petri Kirche in Berlin and taught at the Kolnische Gymnasium. He was a pupil of\u2026 <\/p>\n

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Johann Philipp Kirnberger, Komm o komm, du Geist des Lebens<\/a><\/h2>\n
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\n Posted on Apr 3rd, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Almost a year ago I published a version of this piece, based on manuscript Mus.ms. 30194, owned by the Staatsbibliothek Berlin. That version was\u2026 <\/p>\n

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Johann Philipp Kirnberger, Lobe den Herren (EngK 210a)<\/a><\/h2>\n
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\n Posted on Mar 18th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale prelude on \"Lobe den Herren den m\u00e4chtigen K\u00f6nig\" by Kirnberger is contained in at least two manuscripts, both owned by the\u2026 <\/p>\n

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Johann Philipp Kirnberger, Nun danket alle Gott<\/a><\/h2>\n
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\n Posted on May 3rd, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The prelude on \"Nun danket alle Gott\" is a three part piece, with the choral melody in the soprano voice.\r\n\r\nThe recording was done by Andreas\u2026 <\/p>\n

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Johann Philipp Kirnberger, Nun lasst uns Gott den Herren<\/a><\/h2>\n
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\n Posted on May 16th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The prelude on \"Nun lasst uns Gott den Herren\" is a nice example of how to transform a simple setting of a chorale into a prelude. Bass and melody\u2026 <\/p>\n

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Johann Philipp Kirnberger, Schm\u00fccke dich, o liebe Seele<\/a><\/h2>\n
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\n Posted on Mar 20th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The prelude on \"Sch\u00fccke dich o liebe Seele\" is a three part rendering of the chorale melody. It is probably meant to be played with just the hands,\u2026 <\/p>\n

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Johann Philipp Kirnberger, Trio \u00fcber “Ich dank dir schon”<\/a><\/h2>\n
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\n Posted on Jan 20th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n Almost 9 months ago I started a series of choral preludes by Johann Philipp Kirnberger, contained in Manuscript Am. 386, owned by the\u2026 <\/p>\n

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Johann Philipp Kirnberger, Vom Himmel hoch da komm ich her<\/a><\/h2>\n
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\n Posted on Nov 14th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Johann Philipp Kirnberger (1721 \u2013 1783) was a musician, composer and music theorist. Possibly, though not verified, he was a pupil of Johann\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Johann Philipp Kirnberger, Was Gott thut dass ist wohl gethan<\/a><\/h2>\n
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\n Posted on May 26th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n The chorale prelude on \"Was Gott thut dass ist wohl getan\" is a manualiter piece. But again the voices are in places quite far apart. For me it's\u2026 <\/p>\n

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Johann Philipp Kirnberger, Wer nur den lieben Gott l\u00e4sst walten<\/a><\/h2>\n
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\n Posted on Jul 12th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n This chorale prelude is a relatively simple bicinium. The left hand provides a lively accompaniment to the chorale melody in the right hand. What\u2026 <\/p>\n

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Johann Philipp Kirnberger, Wer nur den lieben Gott l\u00e4sst walten (2)<\/a><\/h2>\n
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\n Posted on Jul 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n This chorale prelude by Kirnberger comes from an autograph that was part of the Amalienbibliothek in Berlin. The Amalienbibliothek in Berlin is not\u2026 <\/p>\n

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Johann Philipp Kirnberger, Wer nur den lieben Gott l\u00e4sst walten (3)<\/a><\/h2>\n
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\n Posted on Mar 8th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n I already posted two preludes by Kirnberger on the choral \"Wer nur den lieben Gott l\u00e4sst walten\", but here is another one. There is even a fourth\u2026 <\/p>\n

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Johann Philipp Kirnberger, Wer nur den lieben Gott l\u00e4sst walten (4)<\/a><\/h2>\n
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\n Posted on Mar 26th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Kirnberger must have really loved the melody \"Wer nur den lieben Gott l\u00e4sst walten\", as there are at least four pieces by his hand based on this\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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