{"id":638,"date":"2015-05-12T20:54:49","date_gmt":"2015-05-12T19:54:49","guid":{"rendered":"http:\/\/partitura.org\/?page_id=638"},"modified":"2020-10-24T10:42:19","modified_gmt":"2020-10-24T08:42:19","slug":"zachow-friedrich-wilhelm","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/zachow-friedrich-wilhelm\/","title":{"rendered":"Zachow, Friedrich Wilhelm"},"content":{"rendered":"
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\n \"\"<\/a>

Neumeister Chor\u00e4le, not by J.S. Bach, Part II<\/a><\/h2>\n
\n

\n Posted on Jun 24th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Gottfried Neumeister (1757 - 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn't for the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Neumeister Chor\u00e4le, not by J.S. Bach, Part I<\/a><\/h2>\n
\n

\n Posted on Apr 14th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n Johann Gottfried Neumeister (1757 - 1840) was a German teacher and organist. Nowadays Neumeister would have been forgotten if it wasn't for the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n <\/div>\n
\n \"\"<\/a>

Anonymus (Zachow?), Heut triumphiret Gottes Sohn<\/a><\/h2>\n
\n

\n Posted on Oct 17th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n In Neumeister's manuscript the prelude to \"Heut triumphiret Gottes Sohn\" follows immediately after the prelude to \"Wie sch\u00f6n leuchtet der\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Ach herr, mich armen S\u00fcnder (LV 24)<\/a><\/h2>\n
\n

\n Posted on Jan 10th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n The melody for \"Ach Herr, mich armen S\u00fcnder\" is the same as the melody for \"Befiehl du deine Wege\", which was the subject of last week's post.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Allein Gott in der H\u00f6h sei Ehr (LV 46)<\/a><\/h2>\n
\n

\n Posted on Nov 19th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus. ms. 40037 (owned by the Staatsbibliothek Berlin - PK) contains two choral preludes to \"Allein Gott in der H\u00f6h sei Ehr\" by Zachow's\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Allein zu dir Herr Jesu Christ (LV 1a)<\/a><\/h2>\n
\n

\n Posted on Mar 24th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n There exist two versions of Zachow's prelude to \"Allein zu dir, Herr Jesu Christ\". One ends in b flat major and is the longer one of the two, and the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, An Wasserfl\u00fcssen Babylon (LV 2)<\/a><\/h2>\n
\n

\n Posted on Mar 19th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Somewhere before my ice-skating accident I had already finished the recordings of remainder of the pieces from manuscript Mus. ms. 40037, and of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Christ lag in Todebanden, LV 47(a)<\/a><\/h2>\n
\n

\n Posted on Jan 6th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains over 40 choral preludes composed by Zachow or his pupil Kirchhof.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Christ lag in Todebanden, LV 47(b)<\/a><\/h2>\n
\n

\n Posted on Jan 7th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Yesterday I published the first of two preludes to \"Christ lag in Todesbanden\", contained in manuscript Mus ms 40037, owned by the Staatsbibliothek\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Erbarm dich mein, o Herre Gott (LV 18)<\/a><\/h2>\n
\n

\n Posted on Nov 14th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n The end of another series is near. Zachow's preludes to \"Erbarm dich mein, o Herre Gott\" is the last of the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Erbarm dich mein, o Herre Gott (LV 28)<\/a><\/h2>\n
\n

\n Posted on Nov 8th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n The choral preludes \"Erbarm dich mein, o Herre Gott\", LV 28), shows Zachow mastered counterpoint to a high level. The manuscript subtitles this\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Friedrich Wilhelm Zachow, Gelobet seist du Jesu Christ (LV 30)<\/a><\/h2>\n
\n

\n Posted on Nov 20th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Besides Johann Michael Bach and Johann Sebastian Bach, the Neumeister manuscript features some works by Zachow. These were already known from other\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Herr Gott dich loben alle wir (LV 31)<\/a><\/h2>\n
\n

\n Posted on Oct 11th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's prelude to \"Herr Gott, dich loben alle wir\" seems at the start a fugue on the first phrase on the chorale melody, but that turns out to be\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Herr Gott dich loben wir (LV 4)<\/a><\/h2>\n
\n

\n Posted on Apr 30th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n In the manuscript source this choral prelude is notated on just two staves. Nevertheless, I can't help the feeling that it is perhaps meant as a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Herr Jesu Christ, wahr Mensch und Gott (LV 32)<\/a><\/h2>\n
\n

\n Posted on Apr 4th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's prelude to the choral \"Herr Jesu Christ, waht Mensch und Gott\" is an unpretentious 3 part composition. The choral melody is played in the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Ich ruf zu dir, Herr Jesu Christ (LV 5)<\/a><\/h2>\n
\n

\n Posted on Nov 15th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n The source for this chorale prelude is manuscript Mus Ms 40037, owned by the Staatsbibliothek Berlin. The scribe of this manuscript was\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, In dulci jubilo (LV 34)<\/a><\/h2>\n
\n

\n Posted on Nov 7th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n A small prelude by Zachow, but very lovely. The melody is accompanied by two flowing voices in triple meter. \r\n\r\nThe recording was done on the sample\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Jesaia dem Propheten das geschah (LV 48)<\/a><\/h2>\n
\n

\n Posted on Feb 3rd, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's choral prelude to \"Jesaia dem Propheten das geschah\" consistst of three different movements. The first of these has no direct relation to\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Jesu, der du meine Seele (LV 6)<\/a><\/h2>\n
\n

\n Posted on Mar 30th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's prelude to \"Jesu, der du meine Seele\" is setup as a short double fugue on the first phrase of the choral melody and a free counter subject.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Jesus Christus unser Heiland, der von uns (LV 19)<\/a><\/h2>\n
\n

\n Posted on Jan 12th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n The full first phrase of this choral reads \"Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt\" (Jesus Christ, our Savior, who turned\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Jesus Christus unser Heiland, der von uns (LV 36)<\/a><\/h2>\n
\n

\n Posted on Jan 23rd, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains 5 chorale preludes to \"Jesus Christus, under Heiland, der von uns\". At least\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Jesus Christus unser Heiland, der von uns (LV 7)<\/a><\/h2>\n
\n

\n Posted on Jan 26th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains 5 chorale preludes to \"Jesus Christus, under Heiland, der von uns\". At least\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Komm Gott Sch\u00f6pfer, heiliger Geist (LV 37)<\/a><\/h2>\n
\n

\n Posted on May 15th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The chorale prelude Komm Gott Sch\u00f6pfer, heiliger Geist was transcribed from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Komm heiliger Geist, Herre Gott (LV 20)<\/a><\/h2>\n
\n

\n Posted on May 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n Friedrich Wilhelm Zachow (1663 - 1712) was born in Leipzig. He probably received his first musical training from his father, the piper Heinrich\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Komm heiliger Geist, Herre Gott (LV 38)<\/a><\/h2>\n
\n

\n Posted on May 14th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n The second chorale prelude by Zachow on \"Komm heiliger Geist, Herre Gott\", transcribed from manuscript Mus.ms. 22541 III owned by the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Komm heiliger Geist, Herre Gott (LV 8)<\/a><\/h2>\n
\n

\n Posted on Jan 25th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Manuscript Mus ms 40037, owned by the Staatsbibliothek Berlin, contains over 40 choral preludes composed by Zachow or his pupil Kirchhof. They cover\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Mit Fried und Freud (LV 9)<\/a><\/h2>\n
\n

\n Posted on Nov 30th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow wrote a fugue, based on the first phrase on the chorale melody of \"Mit Fried und Freud\". Not an easy subject for a fugue as it moves two\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Nun komm der Heiden Heiland (LV 10)<\/a><\/h2>\n
\n

\n Posted on Nov 17th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n There are two preludes on \"Nun komm der heiden Heiland\" by Zachow in Mus.ms.22541 II. This is the second of the two. Just like the preludes by Vetter\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Nun komm der Heiden Heiland (LV 21)<\/a><\/h2>\n
\n

\n Posted on Nov 13th, 2015 <\/span>\n <\/p>\n <\/div>\n

\n

\n There are two preludes on \"Nun komm der heiden Heiland\" by Zachow in Mus.ms.22541 II. This is the longest of the two. Each melodic phrase of the\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Nun komm der Heiden Heiland (LV 50)<\/a><\/h2>\n
\n

\n Posted on Oct 15th, 2017 <\/span>\n <\/p>\n <\/div>\n

\n

\n Two years ago, I already published two preludes by Zachow to the choral \"Nun komm der Heiden Heiland\". This is a third prelude on the same melody.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, O Jesu Christ, du h\u00f6chstes Gut (LV 11)<\/a><\/h2>\n
\n

\n Posted on Jan 21st, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n The subtitle of this choral prelude in manuscript Mus Ms 40037 (owned by the Staatsbibliothek Berlin) \"Fuga cum contrasubjecto al inverso\". Zachow\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, O Lamm Gottes unschuldig (LV 40)<\/a><\/h2>\n
\n

\n Posted on Jan 20th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow wrote a nice three part chorale prelude to \"O Lamm Gottes unschuldig\". The chorale melody is in the upper voice, while the other two voices\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Vom Himmel hoch da komm ich her (LV 41)<\/a><\/h2>\n
\n

\n Posted on Dec 2nd, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow wrote at least four preludes based on the melody of \"Vom Himmel hoch da komm ich her\". Three can already be found on my site. Today follows\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Vom Himmel hoch da komm ich her (LV 42)<\/a><\/h2>\n
\n

\n Posted on Dec 1st, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n Since advent started today, it is time for a few more pieces of music suited for the advent and Christmas period. Perhaps they will come in handy in\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Vom Himmel hoch da komm ich her, Vers 1 (LV 50a)<\/a><\/h2>\n
\n

\n Posted on Oct 10th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Two preludes by Friedrich Wilhelm Zachow are next in line in the series of christmas preludes. In Walther's manuscript they appear next to each\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Vom Himmel hoch da komm ich her, Vers 2 (LV 50b)<\/a><\/h2>\n
\n

\n Posted on Oct 10th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Two preludes by Friedrich Wilhelm Zachow are next in line in the series of christmas preludes. In Walther's manuscript they appear next to each\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Warum betr\u00fcbst du dich mein Herz (LV 52)<\/a><\/h2>\n
\n

\n Posted on Mar 4th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's prelude to \"Warum betr\u00fcbst du dich mein Herz\" (LV 52) consists of two seperate movenements in manuscript Mus ms 40037. In the catalogue of\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Was mein Gott will, das gescheh allzeit (LV 23)<\/a><\/h2>\n
\n

\n Posted on Feb 2nd, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's prelude to \"Was mein Gott will das gescheh allzeit\" (LV 23) is a solidly written composition, though perhaps a bit scholarly like. Each\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wenn mein St\u00fcndlein (LV 12)<\/a><\/h2>\n
\n

\n Posted on Apr 21st, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Like a lot of Zachow's choral preludes. this one is also a fugue on the first phrase of the choral melody. In this case Zachow also employs a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wer Gott vertraut (LV 13)<\/a><\/h2>\n
\n

\n Posted on Apr 19th, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow prelude to \"Wer Gott vertraut\" is a little fugue on the first phrase of the choral melody. Though it is a four part fugue, in most places only\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wie sch\u00f6n leuchtet der Morgenstern (LV 43)<\/a><\/h2>\n
\n

\n Posted on Oct 11th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow's preludes to \"Wie sch\u00f6n leuchtet der Morgenstern\" is written in four parts. Most of the phrases have fore imitations in the other voices\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wir Christenleut (LV 14)<\/a><\/h2>\n
\n

\n Posted on Nov 13th, 2016 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow\u2019s prelude on \u201cWir Christenleut\u201d is a kind of double fugue based on the first phrase of the choral melody and a counter subject. The\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wir glauben all’ an einen Gott (LV 15)<\/a><\/h2>\n
\n

\n Posted on Jan 28th, 2020 <\/span>\n <\/p>\n <\/div>\n

\n

\n Zachow wrote a four part fugato on the first phrase of the chorale melody of \"Wir glauben all' an einen Gott\". Though each voice plays the fugato\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Friedrich Wilhelm Zachow, Wo Gott der Herr nicht bei uns h\u00e4lt (LV 45)<\/a><\/h2>\n
\n

\n Posted on Mar 23rd, 2021 <\/span>\n <\/p>\n <\/div>\n

\n

\n As I publish these pieces more or less in the order as they appear in manuscript Mus. ms. 40037, the next one in line is Zachow's prelude to \"Wo Gott\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Kauffmann\/Zachow, Nun lasst uns Gott den Herrn (LV 39)<\/a><\/h2>\n
\n

\n Posted on Jul 12th, 2018 <\/span>\n <\/p>\n <\/div>\n

\n

\n Kauffmann's prelude to \"Nun lasst uns Gott den Herrn\" is actually not by Kauffmann at all, but is a piece composed by Friedrich Wilhelm Zachow.\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n<\/div>\n\n

Views: 125<\/p>","protected":false},"excerpt":{"rendered":"

Views: 125<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-638","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P5LnuZ-ai","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=638"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/638\/revisions"}],"predecessor-version":[{"id":9034,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/pages\/638\/revisions\/9034"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}