{"id":7298,"date":"2019-03-01T08:48:26","date_gmt":"2019-03-01T06:48:26","guid":{"rendered":"http:\/\/partitura.org\/?page_id=7298"},"modified":"2019-03-01T08:48:26","modified_gmt":"2019-03-01T06:48:26","slug":"anonymus-mus-ms-lynar-b3","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/anonymus-mus-ms-lynar-b3\/","title":{"rendered":"Anonymus, Mus ms Lynar B3"},"content":{"rendered":"
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\n \"\"<\/a>

Anonymus (Johan Pieterszoon Sweelinck?), Fantasia<\/a><\/h2>\n
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\n Posted on Jun 28th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Yesterday I wrote that the choral bound works in manuscript Ms Lynar B3 are of greater quality than the free works. The free work from this\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, 2 Pr\u00e6ludia (Ms Lynar B3, page 32 & 34)<\/a><\/h2>\n
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\n Posted on Jun 15th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The Lynar manuscript Ms Lynar B3 contains 38 compositions, 11 of which can be assigned to specific composers: Jan Pieterszoon Sweelinck, Heinrich\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, 3 Pr\u00e6ludiae pedaliter<\/a><\/h2>\n
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\n Posted on Oct 23rd, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Folio 39 of manuscript Ms Lynar B3 contains 4 small preludes. The reason why they are so short can only be guessed. Perhaps they were meant as\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Herr Christ, der einig Gottes Sohn<\/a><\/h2>\n
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\n Posted on May 8th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The Lynar manuscripts were preserved in the holdings of the Duke of Lynar in L\u00fcbbenau, and are therefore also known as the L\u00fcbbenauer\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Praeludium (Ms Lynar B3, page 28)<\/a><\/h2>\n
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\n Posted on Apr 15th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n For an introduction to the Lynar B3 manuscript, see here. The prelude has again no indication of a composer in the manuscript. Short as it is, it is\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Praeludium (Ms Lynar B3, page 32)<\/a><\/h2>\n
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\n Posted on May 12th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n For an introduction to the Lynar B3 manuscript, see here. Though the name of the composer of most of the preludia is not known, they all follow more\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Praeludium secundi Toni (Ms Lynar B3, page 36)<\/a><\/h2>\n
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\n Posted on May 26th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n This prelude is somewhat different from the other preludes from manuscript Ms Lynar B3 I published until now. It's form does not consist of three\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ambulum pedaliter<\/a><\/h2>\n
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\n Posted on Sep 17th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The next prelude in manuscript Ms Lynar B3 has again no initials, so there is no indication of who the composer could have been. The style is very\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ambulum pedaliter<\/a><\/h2>\n
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\n Posted on Sep 29th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The praeambulum pedaliter on folio 34 of manuscript Ms Lynar B3 does not indicate a composer for this prelude. So it's anyone's guess who the\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium<\/a><\/h2>\n
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\n Posted on Mar 1st, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n For an introduction to the Lynar B3 manuscript, see here. The first complete anonymous piece in the Lynar B3 manuscript is a prelude in D, or perhaps\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium<\/a><\/h2>\n
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\n Posted on Oct 31st, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Of the Lynar manuscripts in the B series, manuscript B9 is the shortest. It contains only two organ preludes. The are both without indication of a\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium<\/a><\/h2>\n
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\n Posted on Nov 5th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Of the Lynar manuscripts in the B series, manuscript B9 is the shortest. It contains only two organ preludes. The are both without indication of a\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium (Ms. Lynar B3, folio 11)<\/a><\/h2>\n
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\n Posted on Aug 28th, 2020 <\/span>\n <\/p>\n <\/div>\n

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\n Last year I published all the works contained in manuscript Ms Lynar B3. Or so I thought. Today I wanted to create and upload a spotify playlist for\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium pedaliter<\/a><\/h2>\n
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\n Posted on Oct 1st, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Folio 34 of manuscript Ms Lynar B3 contains two compositions. Where the first (published two days ago) is a full fledged composition, the second is\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium pedaliter<\/a><\/h2>\n
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\n Posted on Oct 9th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n This is about the tenth anonymous prelude I publish from manuscript Lynar B3. It has two distinct parts or episodes (as it is one contnuous piece).\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Pr\u00e6ludium pedaliter<\/a><\/h2>\n
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\n Posted on Oct 24th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Folio 39 of manuscript Ms Lynar B3 contains 4 small preludes. Yesterday I published three of them. Today follows the fourth and last one. The work is\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Ricercar<\/a><\/h2>\n
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\n Posted on Jul 27th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n Lohet's Fuga Prima is left without indication of a composer in manuscripot Ms Lynar B3. The composition that follows it, a Ricercar primi Toni, is\u2026 <\/p>\n

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\n \"\"<\/a>

Anonymus, Ricercar primi Toni, ex G b-moll<\/a><\/h2>\n
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\n Posted on Sep 8th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n This Ricercar primi Toni, ex G b-moll, is the 24th composition from manuscript Ms. Lynar B3. As the title mentions, it is written in the first tone,\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Anonymus, Vater unser im Himmelreich<\/a><\/h2>\n
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\n Posted on Jun 27th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n My impression of the compositions contained in manuscript Ms Lynar B3 until now is that the choral bound works are of greater quality than the free\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

Jan Pieterszoon Sweelinck, Pr\u00e6ludium pedaliter<\/a><\/h2>\n
\n

\n Posted on Oct 7th, 2019 <\/span>\n <\/p>\n <\/div>\n

\n

\n The praeludium pedaliter on folio 36 of manuscript Lynar B3 bears the initials M.F.P.S.W. Or M.J.P.S.W. Both readings of the second initial are\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

Johann Heinrich Scheidemann (?), Pr\u00e6ludium (WV 94)<\/a><\/h2>\n
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\n Posted on Mar 6th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n [update, 14-04-2019] I just learned that this piece is tentatively ascribed to Johann Heinrich Scheidemann, so I changed score and post title\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

M.D.O, Pr\u00e6ludium<\/a><\/h2>\n
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\n Posted on Oct 15th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The composer of the prelude on folio 38 of manuscript Ms Lynar B3 is indicated with the initials \"M.D.O\". It is therefore believed that this prelude\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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\n \"\"<\/a>

M.W.C.B.M, O Mensch, bewein deine S\u00fcnde gross<\/a><\/h2>\n
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\n Posted on Jul 14th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n In the Baroque era (and earlier) composers of (organ) music were in manuscripts often indicated by there initials, or not at all. Manuscripts were\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

<\/div>\n<\/div>\n
\n \"\"<\/a>

M.W.C.B.M., Vater unser im Himmelreich<\/a><\/h2>\n
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\n Posted on Mar 31st, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The fifth piece in the Lynar manuscript B3 is a set of three variations on \"Vater unser im Himmelreich\". The composer's initials are \"M.W.C.B.M.\".\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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