{"id":7422,"date":"2019-03-31T11:15:48","date_gmt":"2019-03-31T09:15:48","guid":{"rendered":"http:\/\/partitura.org\/?page_id=7422"},"modified":"2019-03-31T11:15:48","modified_gmt":"2019-03-31T09:15:48","slug":"m-w-c-b-m","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/m-w-c-b-m\/","title":{"rendered":"M.W.C.B.M."},"content":{"rendered":"
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M.W.C.B.M, O Mensch, bewein deine S\u00fcnde gross<\/a><\/h2>\n
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\n Posted on Jul 14th, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n In the Baroque era (and earlier) composers of (organ) music were in manuscripts often indicated by there initials, or not at all. Manuscripts were\u2026 <\/p>\n

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M.W.C.B.M., Vater unser im Himmelreich<\/a><\/h2>\n
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\n Posted on Mar 31st, 2019 <\/span>\n <\/p>\n <\/div>\n

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\n The fifth piece in the Lynar manuscript B3 is a set of three variations on \"Vater unser im Himmelreich\". The composer's initials are \"M.W.C.B.M.\".\u2026 <\/p>\n

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Wilhelm Karges, B.M, Capricio in A<\/a><\/h2>\n
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\n Posted on Mar 20th, 2020 <\/span>\n <\/p>\n <\/div>\n

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\n The Capricio in A, written on folio 27 of manuscript Am.B 340 bears the intials \"B.M.\". It is unknown which composer is meantby these initials. As\u2026 <\/p>\n

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