{"id":923,"date":"2015-07-21T22:23:34","date_gmt":"2015-07-21T20:23:34","guid":{"rendered":"http:\/\/partitura.org\/?page_id=923"},"modified":"2018-12-29T10:56:54","modified_gmt":"2018-12-29T08:56:54","slug":"mohrheim-friedrich-christian-samuel","status":"publish","type":"page","link":"https:\/\/partitura.org\/index.php\/mohrheim-friedrich-christian-samuel\/","title":{"rendered":"Mohrheim, Friedrich Christian Samuel"},"content":{"rendered":"
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Friedrich Christian Samuel Mohrheim, Trios f\u00fcr die Orgel<\/a><\/h2>\n
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\n Posted on Apr 7th, 2016 <\/span>\n <\/p>\n <\/div>\n

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\n Friedrich Christian Samuel Mohrheim (1719 \u2013 1780) was a German musician. He attended the Thomasschule in Leipzig from 1733 to 1736, and, like other\u2026 <\/p>\n

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Carl F. Scheidemantel (?)\/Friedrich Christian Samuel Mohrheim (?), Vom Himmel hoch da komm ich her<\/a><\/h2>\n
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\n Posted on Jan 8th, 2017 <\/span>\n <\/p>\n <\/div>\n

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\n [update 05-12-2021: Friedrich Christian Samuel Mohrheim is a possibile candidate for the authorship; see Richard Reichel's comment below]\r\n\r\nThe\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 1 in G dur<\/a><\/h2>\n
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\n Posted on Jul 21st, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Friedrich Christian Samuel Mohrheim (1719 - 1780) was a German musician. He attended the Thomasschule in Leipzig from 1733 to 1736, and, like other\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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Friedrich Christian Samuel Mohrheim, Trio 2 in G dur<\/a><\/h2>\n
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\n Posted on Sep 14th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Mohrheim wrote 7 Trio's for organ. The first was published a few weeks ago. This is the second Trio. The rest will follow in the coming weeks.\r\n\r\nThe\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 3 in g moll<\/a><\/h2>\n
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\n Posted on Sep 19th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Mohrheim's third Trio in g moll is probably the best known of his 7 Trio's. It is set up as a three voice fugue. The trickiest point in the score is\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 4 in A dur<\/a><\/h2>\n
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\n Posted on Sep 24th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Mohrheim's fourth Trio in A dur is the most elongated of his 'free' Trio's. The remaining three are based on chorale melodies. \r\n\r\nThe recording was\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 5 in C dur (“Ein feste Burg ist unser Gott”)<\/a><\/h2>\n
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\n Posted on Oct 5th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n The last three Trio's by Mohrheim are based on chorale melodies. They are not real Trio's in that it is music for just three voices. This fifth trio\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 6 in a moll (“Wer nur den lieben Gott l\u00e4\u00dft walten”)<\/a><\/h2>\n
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\n Posted on Oct 17th, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n Just as the fifth, the sixth Trio by Mohrheim is not a real Trio at all. It is actually a four voice piece, based on the well known melody of the\u2026 <\/p>\n

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Friedrich Christian Samuel Mohrheim, Trio 7 in g moll (“Jesu der du meine Seele”)<\/a><\/h2>\n
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\n Posted on Oct 23rd, 2015 <\/span>\n <\/p>\n <\/div>\n

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\n This last Trio by Mohrheim is, just like the preceding two, more a chorale prelude than a real Trio. This one is based on the melody of the chorale\u2026 <\/p>\n

\n Continue Reading<\/a>\n <\/p>\n <\/div>\n

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