{"id":10233,"date":"2022-03-04T16:52:55","date_gmt":"2022-03-04T14:52:55","guid":{"rendered":"https:\/\/partitura.org\/?p=10233"},"modified":"2022-03-04T16:53:38","modified_gmt":"2022-03-04T14:53:38","slug":"friedrich-wilhelm-marpurg-wenn-christus-seine-kirche-schutzt","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-marpurg-wenn-christus-seine-kirche-schutzt\/","title":{"rendered":"Friedrich Wilhelm Marpurg, Wenn Christus seine Kirche sch\u00fctzt"},"content":{"rendered":"<p>Marpurg&#8217;s prelude to &#8220;Wenn Christus seine Kriche sch\u00fctzt&#8221; has the choral melody in the pedals. It has a march-like rythm, a playing indication &#8220;Heroic&#8221;  and together with the melody in the pedals that begs for a plenum registration. Perhaps that registration choice is a bit too obvious, nevertheless it works beautifully in this piece. <\/p>\n<p>Somehow I did not mount the camera properly (again), so in the second half of the video you don&#8217;t see my hands any more, only my head and shoulders. Since I recorded this video I invested in some new gear, so I hope it won&#8217;t happen in newer videos.<\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/03\/Marpurg-Wenn-Christus-seine-Kirche-schutzt.pdf\"data-kccpid=\"10233\">Marpurg, Wenn Christus seine Kirche schutzt<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FxQxcSOISLo\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 25<\/p>","protected":false},"excerpt":{"rendered":"<p>Marpurg&#8217;s prelude to &#8220;Wenn Christus seine Kriche sch\u00fctzt&#8221; has the choral melody in the pedals. It has a march-like rythm, a playing indication &#8220;Heroic&#8221; and together with the melody in the pedals that begs for a plenum registration. Perhaps that registration choice is a bit too obvious, nevertheless it works beautifully in this piece. Somehow I did not mount the camera properly (again), so in the second half of the video you don&#8217;t see my hands any more, only my head and shoulders. Since I recorded this video I invested in some new gear, so I hope it won&#8217;t happen in newer videos. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html). Score Marpurg, Wenn Christus seine Kirche schutzt Performance Views: 25<\/p>\n","protected":false},"author":1,"featured_media":10236,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[326,7],"tags":[],"class_list":["post-10233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marpurg-friedrich-wilhelm","category-scores","genre-choral-prelude","genre-ein-feste-burg-ist-unser-gott","genre-wenn-christus-seine-kirche-schutzt"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/03\/Marpurg-Wenn-Christus-seine-Kirche.jpg?fit=1025%2C653&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2F3","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10233"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10233\/revisions"}],"predecessor-version":[{"id":10238,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10233\/revisions\/10238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10236"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}