{"id":10425,"date":"2022-06-27T19:00:23","date_gmt":"2022-06-27T17:00:23","guid":{"rendered":"https:\/\/partitura.org\/?p=10425"},"modified":"2022-06-20T19:33:38","modified_gmt":"2022-06-20T17:33:38","slug":"friedrich-wilhelm-marpurg-wer-nur-den-lieben-gott-lasst-walten","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-marpurg-wer-nur-den-lieben-gott-lasst-walten\/","title":{"rendered":"Friedrich Wilhelm Marpurg, Wer nur den lieben Gott l\u00e4sst walten"},"content":{"rendered":"<p>The melody of <a href=\"https:\/\/partitura.org\/index.php\/genre\/wer-nur-den-lieben-gott-lasst-walten\/\">&#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221;<\/a> is of itself already a bit chromatic. Marpurg enhances this aspect in his prelude based on this melody, and creates a composition full of suspensions and dissonants. The choral melody is playd with the pedals, the hands play a three part accompaniment. Because of the powerful, chromatic character of this composition, I play it with a plenum registration to match that character. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/06\/Marpurg-Wer-nur-den-lieben-Gott-laesst-walten.pdf\" data-kccpid=\"10425\">Marpurg, Wer nur den lieben Gott l\u00e4sst walten<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ff1ED7-msrM\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 23<\/p>","protected":false},"excerpt":{"rendered":"<p>The melody of &#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221; is of itself already a bit chromatic. Marpurg enhances this aspect in his prelude based on this melody, and creates a composition full of suspensions and dissonants. The choral melody is playd with the pedals, the hands play a three part accompaniment. Because of the powerful, chromatic character of this composition, I play it with a plenum registration to match that character. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html). Score Marpurg, Wer nur den lieben Gott l\u00e4sst walten Performance Views: 23<\/p>\n","protected":false},"author":1,"featured_media":10490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[326,7],"tags":[],"class_list":["post-10425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-marpurg-friedrich-wilhelm","category-scores","genre-choral-prelude","genre-wer-nur-den-lieben-gott-lasst-walten"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/06\/Marpurg-Wer-nur-den-lieben-Gott.jpg?fit=941%2C600&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2I9","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10425"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10425\/revisions"}],"predecessor-version":[{"id":10491,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10425\/revisions\/10491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10490"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}